Biblio

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Austin, L., Boone C., & Serra X. (1991).  Transmission Two: The Great Excursion (TT:TGE): The Aesthetic, Art and Science of a Composition for Radio. Leonardo Music Journal. 1(1), 81-88. Abstract
Atlı, H. S., Şentürk S., Bozkurt B., & Serra X. (2017).  Synthesis of Turkish Makam Music Scores Using An Adaptive Tuning Approach. 7th International Workshop on Folk Music Analysis (FMA). 66-71. Abstract
Atlı, H. S., Bozkurt B., & Şentürk S. (2015).  A method for tonic frequency identification of Turkish makam music recordings. 5th International Workshop on Folk Music Analysis (FMA). 119-122. Abstract
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Atlı, H. S., Uyar B., Şentürk S., Bozkurt B., & Serra X. (2014).  Audio Feature Extraction for Exploring Turkish Makam Music. 3rd International Conference on Audio Technologies for Music and Media. Abstract
Atıcı, B. M., Bozkurt B., & Şentürk S. (2015).  A culture-specific analysis software for makam music traditions. 5th International Workshop on Folk Music Analysis (FMA). Abstract
application/pdf iconFMA2015_bilgemiracatici_fullpaper.pdf
Arumí, P. (2006).  Towards a Pattern Language for Sound and Music Computing. Abstract
Arumí, P., Garcia D., & Amatriain X. (2006).  A Data Flow Pattern Language for Audio and Music Computing. Abstract
Arumí, P., & Amatriain X. (2005).  CLAM, An Object-Oriented Framework for Audio and Music. Abstract
Arumí, P., Sordo M., Garcia D., & Amatriain X. (2006).  Testfarm, una eina per millorar el desenvolupament del programari lliure. Abstract
Arumí, P., Garcia D., & Amatriain X. (2003).  CLAM, Una llibreria lliure per Audio i Música. Abstract
Arumí, P. (2002).  CLAM C++ Library for Audio and Music.
Arredondo Garrido, J. (2017).  Retrieval of Drum Samples by High-Level Descriptors. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Saxex a Case-Based Reasoning System for Generating Expressive Musical Performances. Journal of New Music Research. 27(3), 194-210. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1997).  Saxex a Case-Based Reasoning System for Generating Expressive Musical Performances. International Computer Music Conference. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Integrating background musical knowledge in a CBR system for generating expressive musical performances. AAAI'98 Workshop on CBR Integrations. Abstract
Anniés, R., Adiloglu K., & Purwins H. (2009).  Playing with {SID}. Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" . Abstract
application/pdf iconAnniesAdilogluPurwins_SID_SoundPlay.pdf
Anniés, R., Martínez E., Adiloglu K., Purwins H., & Obermayer K. (2007).  Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition. Abstract
Angulo, I. (2016).  Hexaphonic Guitar Transcription and Visualization. Abstract
application/pdf iconIñigo-Angulo-Master-thesis-2016.pdf
Anglade, A., Ramirez R., & Dixon S. (2009).  Genre Classification using Harmony Rules Induced from Automatic Chord Transcriptions. International Society for Music Information Retrieval Conference. Abstract
Amatriain, X., & Herrera P. (2001).  Audio Content Transmission. Abstract
Amatriain, X., & Arumí P. (2005).  Developing Cross-platform Audio and Music Applications with the CLAM Framework. Abstract
Amatriain, X., Bonada J., & Serra X. (1998).  METRIX A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer. International Conference on Digital Audio Effects. Abstract
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Department of Information and Communication Technologies. Abstract
Amatriain, X., Arumí P., & Ramírez M. (2002).  CLAM, Yet Another Library for Audio and Music Processing?. Proceedings of 17th Annual ACM Conference on Object-Oriented Programming, Systems, Languages and Applications; Seattle (USA). Abstract
Amatriain, X., Bonada J., Loscos A., & Serra X. (2002).  Spectral Processing. (Udo Zölzer, Ed.).DAFX - Digital Audio Effects. 373-438. Abstract
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