Biblio

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Journal Article
Rodriguez-Serrano, F. J., Duan Z., Vera-Candeas P., Pardo B., & Carabias-Orti J. J. (2015).  Online Score-Informed Source Separation with Adaptive Instrument Models. Journal of New Music Research. Abstract
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Canadas-Quesada, F. J., Vera-Candeas P., Ruiz-Reyes N., Carabias-Orti J. J., & Cabanas-Molero P. (2014).  Percussive/harmonic sound separation by non-negative matrix factorization with smoothness/sparseness constraints. EURASIP Journal on Audio, Speech, and Music Processing 2014. Abstract
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Zanin, M., Cano P., Celma Ò., & Buldú J. M. (2009).  Preferential Attachment, Aging and Weights in Recommendation Systems. International Journal of Bifurcation and Chaos. 19(2), 755-763. Abstract
Cano, P., Batlle E., Kalker T., & Haitsma J. (2005).  A Review of Audio Fingerprinting. The Journal of VLSI Signal Processing. 41, 271 - 284. Abstract
Miron, M., Carabias-Orti J. J., Bosch J., Gómez E., & Janer J. (2016).  Score-Informed Source Separation for Multichannel Orchestral Recordings. Journal of Electrical and Computer Engineering. 2016, Abstract
application/pdf icon8363507.pdf
Park, J., Celma Ò., Koppenberger M., Cano P., & Buldú J. M. (2007).  The social network of contemporary popular musicians. International Journal of Bifurcation and Chaos (IJBC). 17, 2281 - 2288. Abstract
Serra, X., Bresin R., & Camurri A. (2007).  Sound and Music Computing: Challenges and Strategies. Journal of New Music Research. 36(3), 185-190. Abstract
Cano, P., Celma Ò., Koppenberger M., & Buldú J. M. (2006).  Topology of music recommendation networks. Chaos An Interdisciplinary Journal of Nonlinear Science. 16, Abstract
Celma, Ò., & Raimond Y. (2008).  ZemPod: A semantic web approach to podcasting. Journal of Web Semantics. 6(2), 162-169. Abstract
Haro, G. G., Serrà J., Herrera P., & Corral A. (2012).  Zipf's Law in Short-Time Timbral Codings of Speech, Music, and Environmental Sound Signals. PLoS ONE. 7(3), e33993. Abstract
Conference Paper
Coleman, G., Bonada J., & Maestre E. (2011).  Adding Dynamic Smoothing to Mixture Mosaicing Synthesis. Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations. Abstract
application/pdf icondynmos_spars11.pdf
Cuesta, H., Gómez E., Martorell A., & Loáiciga F. (2018).  Analysis of Intonation in Unison Choir Singing. 15th International Conference on Music Perception and Cognition (ICMPC).
Sordo, M., Laurier C., & Celma Ò. (2007).  Annotating Music Collections How content-based similarity helps to propagate labels. 8th International Conference on Music Information Retrieval. Abstract
Cabrera, J. J., Díaz-Báñez J. M., Escobar Borrego F., Gómez E., Gómez F., & Mora J. (2009).  Aproximación interdisciplinar al análisis melódico de los cantes a capella. I Congreso Interdisciplinar Investigación y Flamenco.
application/pdf iconcofla-INFLA2009.pdf
Celma, Ò. (2004).  Architecture for an MPEG-7 Web Browser. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
Cano, P., Gómez E., Batlle E., Gomes L., & Bonnet M. (2002).  Audio Fingerprinting Concepts and Applications. Abstract
Carabias-Orti, J. J., Rodriguez-Serrano F. J., Vera-Candeas P., Ruiz-Reyes N., & Canadas-Quesada F. J. (2015).  An Audio to Score Alignment Framework using Spectral Factorization and Dynamic Time Warping. 16th International Society for Music Information Retrieval (ISMIR) Conference, 2015..
Miron, M., Carabias-Orti J. J., & Janer J. (2014).  Audio-to-score alignment at the note level for orchestral recordings. 15th International Society for Music Information Retrieval Conference.
application/pdf iconMironCarabiasJaner2014.pdf
Coleman, G., Maestre E., & Bonada J. (2010).  Augmenting Sound Mosaicing with Descriptor-driven Transformation. Digital Audio Effects. Abstract
application/pdf icondafx10_augmos.pdf
Dzhambazov, G., Yang Y., Caro Repetto R., & Serra X. (2016).  Automatic Alignment of Long Syllables In A cappella Beijing Opera. 6th International Workshop on Folk Music Analysis (FMA 2016). 88-91. Abstract
application/pdf iconpostprint version
application/pdf iconpresentation slides
Cimarone, L., Bozkurt B., & Serra X. (2019).  Automatic Dastgah Recognition Using Markov Models. 14th International Symposium on Computer Music Multidisciplinary Research (CMMR). 51-58. Abstract
Batlle, E., & Cano P. (2000).  Automatic Segmentation for Music Classification using Competitive Hidden Markov Models. Abstract
Cano, P., & Koppenberger M. (2004).  Automatic sound annotation. Abstract
Rodríguez, S., Gómez E., & Cuesta H. (2018).  Automatic Transcription of Flamenco Guitar Falsetas. International Workshop on Folk Music Analysis.
Srinivasamurthy, A., Subramanian S., Tronel G., & Chordia P. (2012).  A Beat Tracking Approach to Complete Description of Rhythm in Indian Classical Music. 2nd CompMusic Workshop.
application/pdf iconCompMusicWorkshop_1.pdf
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