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Book Chapter
Laurier, C., & Herrera P. (2009).  Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines. (Vallverdu, J., Casacuberta, D., Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Conference Paper
Coleman, G., Bonada J., & Maestre E. (2011).  Adding Dynamic Smoothing to Mixture Mosaicing Synthesis. Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations. Abstract
Cuesta, H., Gómez E., Martorell A., & Loáiciga F. (2018).  Analysis of Intonation in Unison Choir Singing. 15th International Conference on Music Perception and Cognition (ICMPC).
Celma, Ò. (2004).  Architecture for an MPEG-7 Web Browser. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
Celma, Ò., Herrera P., & Serra X. (2006).  Bridging the Music Semantic Gap. Workshop on Mastering the Gap: From Information Extraction to Semantic Representation. 187, Abstract
Caro Repetto, R., & Serra X. (2017).  A collection of music scores for corpus based jingju singing research. 18th International Society for Music Information Retrieval Conference. 46-52. Abstract