Biblio

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Dzhambazov, G., Şentürk S., & Serra X. (2014).  Automatic lyrics-to-audio alignment in classical Turkish music. 4th International Workshop on Folk Music Analysis. 61-64. Abstract
Dzhambazov, G., Goranchev K., & Serra X. (2016).  Sing Master: An Intelligent Mobile Game for Teaching Singing. 8th International Conference on Games and Virtual Worlds for Serious Applications (VS-Games). Abstract
Dzhambazov, G., & Serra X. (2016).  Singing Voice Separation by Harmonic Modeling. Music Information Retrieval Evaluation eXchange (MIREX).
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Dzhambazov, G., Şentürk S., & Serra X. (2015).  Searching Lyrical Phrases in A-Capella Turkish Makam Recordings. 16th International Society for Music Information Retrieval (ISMIR) Conference. 687-693. Abstract
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Dzhambazov, G. (2017).  Knowledge-based Probabilistic Modeling for Tracking Lyrics in Music Audio Signals. Department of Information and Communication Technologies. Abstract
Dzhambazov, G., Srinivasamurthy A., Şentürk S., & Serra X. (2016).  On the Use of Note Onsets for Improved Lyrics-to-audio Alignment in Turkish Makam Music. 17th International Society for Music Information Retrieval Conference (ISMIR 2016) . 716-722. Abstract
Dzhambazov, G., Holzapfel A., Srinivasamurthy A., & Serra X. (2017).  Metrical-accent Aware Vocal Onset Detection in Polyphonic Audio. The 18th International Society for Music Information Retrieval Conference. Abstract
Dzhambazov, G., Yang Y., Caro Repetto R., & Serra X. (2016).  Automatic Alignment of Long Syllables In A cappella Beijing Opera. 6th International Workshop on Folk Music Analysis (FMA 2016). 88-91. Abstract
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Dzhambazov, G., & Serra X. (2015).  Modeling of Phoneme Durations for Alignment between Polyphonic Audio and Lyrics. Sound and Music Computing Conference 2015. Abstract
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Durand, N., & Gómez E. (2001).  Periodicity Analysis using An Harmonic Matching method and Bandwise Processing. Abstract
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2012).  Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail. 4th International Workshop on Advances in Music Information Research.
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2013).  Combining Usage and Content in an Online Recommendation System for Music in the Long-Tail. International Journal of Multimedia Information Retrieval. 2(Hybrid Music Information Retrieval), 3-13. Abstract
Dixon, S., Gouyon F., & Widmer G. (2004).  Towards Characterisation of Music via Rhythmic Patterns. Abstract
Disley, M. (2018).  Exploring Objectivity in the Aesthetic Experience of Audio Quality. Abstract
Dimitrov, S., Alonso M., & Serafin S. (2008).  Developing block-movement, physical-model based objects for the Reactable. NIME08. Abstract
Dimitriou, C. A. (2014).  Query-by-Example Model Creation Methodology in Freesound. Abstract
Díaz-Báñez, J. M., Kroher N., & Rizo J. C. (2015).  Efficient algorithms for melodic similarity in flamenco singing. 5th International Workshop on Folk Music Analysis (FMA).
Demirel, E., Bozkurt B., & Serra X. (2019).  Automatic Chord-Scale Recognition Using Harmonic Pitch Class Profiles. Sound and Music Computing Conference. 72-79. Abstract
Demirel, E., Bozkurt B., & Serra X. (2018).  Automatic makam recognition using chroma features. International Workshop on Folk Music Analysis. Abstract
Demirel, E. (2018).  Automatic Chord-Scale Type Detection Using Chroma Features. Abstract
Delgado, N. (2017).  Neural Correlates of Music and Emotion in ASD and Typical Children. Abstract
De Boer, M. (2001).  Tapiir, A Software Multitap Delay. Abstract
De Boer, M., Bonada J., Cano P., Loscos A., & Serra X. (2000).  Singing Voice Impersonator Application for PC. International Computer Music Conference. Abstract
De Boer, M., Bonada J., & Serra X. (2000).  Using the Sound Description Interchange Format within the SMS Applications. International Computer Music Conference. Abstract
Dalmazzo, D. C., & Ramirez R. (2017).  Air Violin: A Machine Learning Approach to Fingering Gesture Recognition. MIE’17, November 13, 2017, Glasgow, UK. 4. Abstract
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