Biblio
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(2018).
(2008).
(2007).
(2014).
The Musical Avatar - A visualization of musical preferences by means of audio content description.
5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
(2010).
Statistical Distribution of Common Audio Features.
Department of Information and Communication Technologies. 203. Abstract
(2013).
Power-Law Distribution in Encoded MFCC Frames of Speech, Music, and Environmental Sound Signals.
21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 895-902.
(2012).
(2010).
From Low-level to Song-level Percussion Descriptors of Polyphonic Music.
10th International Society for Music Information Retrieval Conference. Abstract
(2009).
Zipf's Law in Short-Time Timbral Codings of Speech, Music, and Environmental Sound Signals.
PLoS ONE. 7(3), e33993. Abstract
(2012).
What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2009).
Musical Expectation Modelling from Audio: a causal mid-level approach to predictive representation and learning of spectro-temporal events..
Departament de Tecnologies de la Informació i les Comunicacions. 119. Abstract
(2010).
Expectation Along The Beat A Use Case For Music Expectation Models.
International Computer Music Conference. Abstract
(2007).
(2006).
(2008).
What/when causal expectation modelling applied to percussive audio.
The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800. Abstract
(2009).
(2006).
Modelling Expressive Performance A Regression Tree Approach Based on Strongly Typed Genetic Programming.
European Workshop on Evolutionary Music and Art. Abstract
(2006).
Billaboop real-time voice-driven drum generator.
118th Audio Engineering Society Convention. Abstract
(2005).