Biblio
Filters: First Letter Of Last Name is H [Clear All Filters]
Zipf's Law in Short-Time Timbral Codings of Speech, Music, and Environmental Sound Signals.
PLoS ONE. 7(3), e33993. Abstract
(2012).
What/when causal expectation modelling in monophonic pitched and percussive audio.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2007).
What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2009).
What/when causal expectation modelling applied to percussive audio.
The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800. Abstract
(2009).
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?.
15th International Society for Music Information Retrieval Conference. 573-578. Abstract
(2014).
Visual music transcription of clarinet video recordings trained with audio-based labelled data.
ICCV 2017 Workshop on Computer Vision for Audio-Visual Media (CVAVM). Abstract
(2017).
Video analysis for evaluating music interaction: musical tabletop.
( , Ed.).Music and Human-Computer Interaction.
(2013).
Vibrato Extraction and Parameterization in the Spectral Modeling Synthesis framework.
Digital Audio Effects 1998. Abstract
(1998).
Using morphological description for generic sound retrieval.
International Conference on Music Information Retrieval. Abstract
(2003).
Using concatenative synthesis for expressive performance in jazz saxophone.
International Computer Music Conference. Abstract
(2006).
(2003).
(2010).
Unifying Low-level and High-level Music Similarity Measures.
IEEE Transactions on Multimedia. 13(4), 687-701 . Abstract
(2011).
Understanding expressive transformations in saxophone jazz performances using inductive machine learning.
Sound and Music Computing Conference. Abstract
(2004).
Understanding expressive music performance using genetic algorithms.
Lecture Notes in Computer Science 3449. Abstract
(2005).
Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections.
16th International Society for Music Information Retrieval (ISMIR) Conference. 364-370. Abstract
(2015).
Trends and Perspectives in Music Cognition Research and Technology.
Connection Science. 21(2-3), 85-88. Abstract
(2009).
Transposing Chroma Representations to a Common Key.
IEEE CS Conference on The Use of Symbols to Represent Music and Multimedia Objects. 45-48. Abstract
(2008).
Tracking the "odd": meter inference in a culturally diverse music corpus.
15th International Society for Music Information Retrieval (ISMIR) Conference. 425-430. Abstract
(2014).
Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2016).
(2014).
Towards Instrument Segmentation for Music Content Description a Critical Review of Instrument Classification Techniques.
International Conference on Music Information Retrieval. Abstract
(2000).
Towards computational morphological sound description.
Musicnetwork Workshop - IRCAM Ressonances.
(2003).
Towards better automatic genre classifiers by means of understanding human decisions on genre discrimination.
International Conference on Music Perception and Cognition. 326-327. Abstract
(2006).