Biblio

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Janer, J. (2004).  Voice as a musical controller for real-time synthesis. Abstract
Janer, J., & Peñalba A. (2007).  Syllabling on instrument imitation case study and computational methods. Abstract
Janer, J., Geraerts R., van Toll W. G., & Bonada J. (2013).  Talking Soundscapes: Automatizing Voice Transformations For Crowd Simulation. AES 49th International Conference, Audio for Games..
application/pdf iconpaper49i_crowd-final.pdf
Janer, J., & Loscos A. (2005).  Morphing techniques for enhanced scat singing. Abstract
Janer, J., Haro M., Roma G., Fujishima T., & Kojima N. (2009).  Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept. (Gouyon, F., Barbosa, A., Serra, X., Ed.).Sound and Music Computing Conference. 297-302. Abstract
Janer, J. (2005).  Voice-controlled plucked bass guitar through two synthesis techniques. Abstract
Janer, J. (2008).  Singing-driven Interfaces for Sound Synthesizers. Department of Information and Communication Technologies. Abstract
Janer, J., Bonada J., & Jordà S. (2006).  Groovator - an implementation of real-time rhythm transformations. Abstract
Janer, J., Finney N., Roma G., Kersten S., & Serra X. (2009).  Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval. Journal of Virtual Worlds Research. 2(3),  Abstract
Janer, J., Roma G., & Kersten S. (2011).  Authoring augmented soundscapes with user-contributed content. ISMAR Workshop on Authoring Solutions for Augmented Reality.
application/pdf iconISMAR_auth_mtg.pdf
Janer, J., & Maestre E. (2007).  Phonetic-based mappings in voice-driven sound synthesis. International Conference on Signal Processing and Multimedia Applications. Abstract
Janer, X. (2007).  A BIC-based approach to singer identification. Abstract
Janer, J., & De Boer M. (2008).  Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference . Abstract
Janer, J., & Maestre E. (2008).  Mapping phonetic features for voice-driven sound synthesis. eBusiness and Telecommunication Networks. CCIS Series. Abstract
Janer, J., Bonada J., & Blaauw M. (2006).  Performance-driven control for sample-based singing voice synthesis. Abstract
Janer, J., Marxer R., & Arimoto K. (2012).  Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation. International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.
application/pdf iconIcassp_Janer_reviewed.pdf
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Janer, J. (2005).  Feature Extraction for Voice-driven Synthesis. Abstract
Jensenius, A., Camurri A., Castagné N., Maestre E., Malloch J., McGilvray D., et al. (2007).  The need of formats for streaming and storing music-related movement and gesture data. Abstract
Jensenius, A., Castagné N., Camurri A., Maestre E., Malloch J., & McGilvray D. (2007).  A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data. International Conference on Enactive Interfaces. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2002).  Afasia the Ultimate Homeric One-man-multimedia-band. Abstract
Jordà, S., Julià C. F., & Gallardo D. (2010).  Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
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