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Talking Soundscapes: Automatizing Voice Transformations For Crowd Simulation. AES 49th International Conference, Audio for Games..(2013).
Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept. ( , Ed.).Sound and Music Computing Conference. 297-302.(2009).
Singing-driven Interfaces for Sound Synthesizers. Department of Information and Communication Technologies.(2008).
Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval. Journal of Virtual Worlds Research. 2(3),(2009).
Authoring augmented soundscapes with user-contributed content. ISMAR Workshop on Authoring Solutions for Augmented Reality.(2011).
Phonetic-based mappings in voice-driven sound synthesis. International Conference on Signal Processing and Multimedia Applications.(2007).
Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference .(2008).
Mapping phonetic features for voice-driven sound synthesis. eBusiness and Telecommunication Networks. CCIS Series.(2008).
Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation. International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.(2012).
An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games.(2011).
A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data. International Conference on Enactive Interfaces.(2007).
The reactable. ( , Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490.(2007).
Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28.(2010).
Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,(1999).