Biblio

Export 59 results:
Sort by: [ Author (Desc)] Title Type Year
Filters: First Letter Of Last Name is J  [Clear All Filters]
A B C D E F G H I [J] K L M N O P Q R S T U V W X Y Z   [Show ALL]
J
Julià, C. F., & Jordà S. (2009).  SongExplorer: a tabletop application for exploring large collections of songs. 10th International Society for Music Information Retrieval Conference. Abstract
Julià, C. F., Gallardo D., & Jordà S. (2011).  MTCF: A framework for designing and coding musical tabletop applications directly in Pure Data. New Interfaces for Musical Expression. 457-460. Abstract
application/pdf icon2011 NIME MTCF.pdf
Julià, C. F. (2008).  SongExplorer: Exploring Large Musical Databases Using a Tabletop Interface. Abstract
Julià, C. F., Jordà S., & Earnshaw N. (2013).  GestureAgents: An Agent-Based Framework for Concurrent Multi-Task Multi-User Interaction. TEI 2013. Abstract
application/pdf icon2013 TEI13 GestureAgents.pdf
Jordà, S. (1999).  Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet. Leonardo Music Journal. 9, 5-12. Abstract
Jordà, S. (1991).  A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. Abstract
Jordà, S., Kaltenbrunner M., Geiger G., & Bencina R. (2005).  The reacTable*. Abstract
Jordà, S., & Aguilar T. (1998).  FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems. International Conference on Digital Audio Effects (DAFX). Abstract
Jordà, S. (2004).  Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
Jordà, S. (2004).  Digital Instruments and Players Part II: Diversity, Freedom and Control. International Computer Music Conference. Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Jordà, S., Julià C. F., & Gallardo D. (2010).  Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
Jordà, S. (2002).  Afasia the Ultimate Homeric One-man-multimedia-band. Abstract
Jordà, S., Hunter S., Pla P., Gallardo D., Leithinger D., Kaufman H., et al. (2010).  Development strategies for tangible interaction on horizontal surfaces. Tangible Embedded and Embodied Interaction. Abstract
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
Jordà, S. (2005).  Instruments and Players Some thoughts on digital lutherie. Journal of New Music Research. 33, Abstract
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Jordà, S., & Barbosa A. (2001).  Computer Supported Cooperative Music Overview of research work and projects at the Audiovisual Institute - UPF. Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. (2007).  Models to produce and share music over the Internet. The M.O.D.E.M. model. M.O.D.E.M. Music open distance exchange model.
Jordà, S. (2003).  Sonigraphical Instruments From FMOL to the reacTable*. Abstract
Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Abstract
Jordà, S. (1997).  Guía Monográfica del Audio Digital y el MIDI. Anaya Multimedia. 336.
Jordà, S. (2002).  FMOL Toward User-Friendly, Sophisticated New Musical Instruments. Computer Music Journal. 26, pp 23-39.
intranet