Biblio
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(2014). Intonation analysis of rāgas in Carnatic music.
Journal of New Music Research. 43(1), 72-93. Abstract
(2013). A knowledge-based approach to computational analysis of melody in Indian art music.
International Workshop on Semantic Music and Media, International Semantic Web Conference. 1-10. Abstract
(2012). Characterization of Intonation in Karṇāṭaka Music by Parametrizing Context-based Svara Distributions.
2nd CompMusic Workshop. Abstract
(2012). Rāga Recognition based on Pitch Distribution Methods.
Journal of New Music Research. 41, 337-350. Abstract
(2012). Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms.
International Society for Music Information Retrieval Conference (ISMIR 2012). 199-204. Abstract
(2014). Culture-aware approaches to modeling and description of intonation using multimodal data.
International Conference on Knowledge Engineering and Knowledge Management (EKAW). Abstract
(2016). Towards a multimodal knowledge base for Indian art music: A case study with melodic intonation.
Department of Information and Communication Technologies. 242. Abstract
(2013). The roles of superficial amygdala and auditory cortex in music-evoked fear and joy.
NeuroImage. 81(1), 49-60.
(2012). Unsupervised Chord-Sequence Generation from an Ausio Example.
International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
(2014). Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction..
International Computer Music Conference/Sound and Music Computing Conference. Abstract
(2014). Computational models for perceived melodic similarity in a cappella flamenco cantes.
15th International Society for Music Information Retrieval Conference.
(2014). Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music.
4th International Workshop On Folk Music Analysis. Abstract
(2014). Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors.
International Computer Music Conference/Sound and Music Computing Conference.
(2013). Caracterización automática del cante flamenco a base de análisis de grabaciones..
Investigación y Flamenco (INFLA).
(2016). Automatic Transcription of Flamenco Singing From Polyphonic Music Recordings.
IEEE/ACM Transactions on Audio, Speech, and Language Processing. 25(5), 901-913. Abstract
(2015). Discovery of Repeated Vocal Patterns in Polyphonic Audio: a Case Study on Flamenco Music.
European Signal Processing Conference (EUSIPCO).
