Biblio

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Kaltenbrunner, M., Jordà S., Geiger G., & Alonso M. (2006).  The reacTable* A Collaborative Musical Instrument. Abstract
Kaltenbrunner, M., Geiger G., & Jordà S. (2004).  Dynamic Patches for Live Musical Performance. Abstract
Kaltenbrunner, M., & Bencina R. (2007).  reacTIVision A Computer-Vision Framework for Table-Based Tangible Interaction. Abstract
Kaltenbrunner, M., Bovermann T., Bencina R., & Costanza E. (2005).  TUIO A Protocol for Table-Top Tangible User Interfaces. Abstract
Kaltenbrunner, M., & Huxor A. (2001).  Marvin Supporting Awareness through Audio in Collaborative Virtual Environments. Abstract
Kaltenbrunner, M. (2002).  Y-Windows Proposal for a Standard AUI Environment. Abstract
Kaltenbrunner, M. (2002).  Evaluation of Auditory Interface Metaphors. Abstract
Kaltenbrunner, M. (2005).  Interactive Music for Mobile Digital Music Players. Abstract
Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
Kaltenbrunner, M., & Huxor A. (2000).  Multiple Presence through Auditory Bots in Virtual Environments. Abstract
Katsaprakakis, A. (2011).  Extending the control of a musical tangible tabletop with mobile phones. Abstract
application/pdf iconKatsaprakakis-Alexandros-Master-thesis-2011.pdf
Kellum, G. (2007).  Violin Driven Synthesis from Spectral Models. Abstract
Kersten, S., & Purwins H. (2011).  Hybrid sparse models of water stream texture sounds. Audio-graphic Sound Synthesis Workshop at the 14th International Conference on Digital Audio Effects (DAFx).
Kersten, S., Maestre E., & Ramírez R. (2008).  Concatenative Synthesis of Expressive Saxophone Performance. Sound and Music Computing Conference. Abstract
Kersten, S., & Purwins H. (2010).  Sound Texture Synthesis with Hidden Markov Tree Models in the Wavelet Domain. Sound and Music Computing Conference. Abstract
application/pdf iconkersten_sound_texture_synthesis_smc2010.pdf
Kersten, S., & Purwins P. (2012).  Fire Texture Sound Re-Synthesis Using Sparse Decomposition and Noise Modelling. International Conference on Digital Audio Effects (DAFx12). Abstract
application/pdf iconkersten_purwins_dafx_2012.pdf
Kersten, S., Maestre E., & Ramírez R. (2007).  Modeling and Synthesis of Expressive Performance. Digital Music Research Network Workshop. Abstract
Kocyigit, F. B., & Şentürk S. (2008).  Acoustics in the Partial Deaf Student School Music Classrooms. Proceedings of Acoustics’08 Paris Conference. 3919 – 3924.
application/pdf iconkocyigit2008PartialHearing.pdf
Koduri, G. K., Miron M., Serrà J., & Serra X. (2011).  Computational approaches for the understanding of melody in Carnatic music. International Society for Music Information Retrieval Conference (ISMIR). 157-162. Abstract
application/pdf iconKoduri-et-al-ISMIR-2011.pdf
Koduri, G. K., Serrà J., & Serra X. (2012).  Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms. International Society for Music Information Retrieval Conference (ISMIR 2012). 199-204. Abstract
application/pdf icon199_ISMIR_2012.pdf
Koduri, G. K., Serrà J., & Serra X. (2012).  Characterization of Intonation in Karṇāṭaka Music by Parametrizing Context-based Svara Distributions. 2nd CompMusic Workshop. Abstract
application/pdf icon24-Gopala-Krishna-Koduri-et-al-2nd-CompMusic-Workshop-2012.pdf
Koduri, G. K., Gulati S., Rao P., & Serra X. (2012).  Rāga Recognition based on Pitch Distribution Methods. Journal of New Music Research. 41, 337-350. Abstract
Kosta, K. (2011).  Unsupervised Generation of Chord Sequences from a Sound Example. Abstract
application/pdf iconKosta-Katerina-Master-thesis-2011.pdf
Kosta, K., Marchini M., & Purwins P. (2012).  Unsupervised Chord-Sequence Generation from an Ausio Example. International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconKosta_etal_ISMIR2012_Harmony.pdf
Kuzma, L. (2008).  An Interface for Sequencing with Concatenative Sound Synthesis. Abstract
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