Biblio

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Conference Paper
Serrà, J., Zanin M., Laurier C., & Sordo M. (2009).  Unsupervised detection of cover song sets: accuracy improvement and original identification. Conference of the International Society for Music Information Retrieval (ISMIR). 225-230. Abstract
Camurri, A., Volpe G., Vinet H., Bresin R., Maestre E., Llop J., et al. (2009).  User­-centric context­-aware mobile applications for embodied music listening. International ICST Conference on User Centric Media.
Marti, F., Lopez D., & Resina E. (1998).  Vocem An Application for Real-Time Granular Synthesis. Abstract
Cano, P., Loscos A., Bonada J., De Boer M., & Serra X. (2000).  Voice Morphing System for Impersonating in Karaoke Applications. International Computer Music Conference. Abstract
Loscos, A., & Aussenac T. (2005).  The Wahwactor a voice controlled wah-wah pedal. Abstract
Loureiro, R., & Serra X. (1997).  A Web Interface for a Sound Database and Processing System. International Computer Music Conference. Abstract
Book Chapter
Laurier, C., & Herrera P. (2009).  Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines. (Vallverdu, J., Casacuberta, D., Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
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Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004).  Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
Schedl, M., Sordo M., Koenigstein N., & Weinsberg U. (2014).  Mining User Generated Data for Music Information Retrieval. (Moens, Marie-Francine, Li, Juanzi, Chua, Tat-Seng, Ed.).Mining User Generated Content.
Schedl, M., Knees P., McFee B., Bogdanov D., & Kaminskas M. (2015).  Music Recommender Systems. Recommender Systems Handbook. 453-492. Abstract
Serra, X. (1997).  Musical Sound Modeling with Sinusoids plus Noise. (Roads, C., Pope, S., Picialli, A., De Poli, G., Ed.).Musical Signal Processing. 91-122. Abstract
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Bozkurt, B. (2014).  Pitch Histogram based analysis of Makam Music in Turkey. (Ayari, Mondher, Lai, Antonio, Ed.).LES CORPUS DE L'ORALITÉ. Abstract
Amatriain, X., Bonada J., Loscos A., & Serra X. (2002).  Spectral Processing. (Udo Zölzer, Ed.).DAFX - Digital Audio Effects. 373-438. Abstract
Bonada, J., Serra X., Amatriain X., & Loscos A. (2011).  Spectral Processing. (Udo Zölzer, Ed.).DAFX Digital Audio Effects. 393-446.
Schedl, M., Stober S., Gómez E., Orio N., & Liem C. C. S. (2012).  User-Aware Music Retrieval. (Müller, M., Goto, M., Markus Schedl, Ed.).Multimodal Music Processing. 3, 135-156.
Xambó, A., Laney R., Dobbyn C., & Jordà S. (2013).  Video analysis for evaluating music interaction: musical tabletop. (Holland, S., Ed.).Music and Human-Computer Interaction.
Book
Serra, X., Widmer G., & Leman M. (2007).  A Roadmap for Sound and Music Computing. (The S2S Consortium, Ed.). Abstract
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