Biblio
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The 2007 MIREX Audio Mood Classification Task: Lessons Learned.
9th International Conference on Music Information Retrieval. Abstract
(2008).
Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre.
7th Sound and Music Computing Conference, 2010, Barcelona, Spain. Abstract
(2010).
Analysis of Intonation in Unison Choir Singing.
15th International Conference on Music Perception and Cognition (ICMPC).
(2018).
Annotating Music Collections How content-based similarity helps to propagate labels.
8th International Conference on Music Information Retrieval. Abstract
(2007).
Audio Commons: bringing Creative Commons audio content to the creative industries.
61st AES Conference on Audio for Games. Abstract
(2016).
Audio music mood classification using support vector machine.
International Society for Music Information Research Conference (ISMIR). Abstract
(2007).
Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines.
( , Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
(2009).
Bird Song Synthesis Based on Hidden Markov Models.
Interspeech. 2582-6. Abstract
(2016).
Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2006).
Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail.
4th International Workshop on Advances in Music Information Research.
(2012).
Combining Usage and Content in an Online Recommendation System for Music in the Long-Tail.
International Journal of Multimedia Information Retrieval. 2(Hybrid Music Information Retrieval), 3-13. Abstract
(2013).
(1996).
A computational approach to classify music by emotion.
European Computing Conference. Abstract
(2007).
Content Processing of Music Audio Signals.
( , Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
(2008).
Content-based Transformations.
Journal of New Music Research. 32, Abstract
(2003).
Correspondence analysis for visualizing interplay of pitch class, key, and composer.
( , Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2004).
(2013).
Crossole: A Gestural Interface for Composition, Improvisation and Performance using Kinect.
( , Ed.).Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). 449-502. Abstract
(2012).
Development strategies for tangible interaction on horizontal surfaces.
Tangible Embedded and Embodied Interaction. Abstract
(2010).
The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
(2009).