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SMS3d: An application for the visualization of SMS data. International Conference on Digital Audio Effects.(1998).
Gesture sampling for instrumental sound synthesis: violin bowing as a case study. International Computer Music Conference.(2010).
Modeling instrumental gestures: an analysis/synthesis framework for violin bowing. Department of Information and Communication Technologies.(2009).
Automatic characterization of dynamics and articulation of expressive monophonic recordings. AES 118th Convention.(2005).
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42.(2009).
Modeling musical articulation gestures in singing voice performances. AES 121th Convention.(2006).
Statistical Modeling of Violin Bowing Parameter Contours. International Computer Music Conference.(2009).
Using concatenative synthesis for expressive performance in jazz saxophone. International Computer Music Conference.(2006).
An approach to predicting bowing control parameter contours in violin performance. Intelligent Data Analysis. 14(5), 587-599.(2010).
Statistical Modeling of Bowing Control applied to Violin Sound Synthesis. IEEE Transactions on Audio, Speech, and Language Processing .(2010).
Acquisition of violin instrumental gestures using a commercial EMF device. International Computer Music Conference.(2007).
Unsupervised Generation of Percussion Sound Sequences from a Sound Example. Sound and Music Computing Conference.(2010).
A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance.. New Interfaces for Musical Creation (NIME 2011).(2011).
An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278.(2010).
Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference.(2008).
Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre. 7th Sound and Music Computing Conference, 2010, Barcelona, Spain.(2010).
Short-term feature space and Music Genre Classiﬁcation. Journal of New Music Research. 40(2), 127-137.(2011).
Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference.(2009).