Biblio
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(2019). Contributing to new musicological theories with computational methods: The case of centonization in Arab-Andalusian music.
20th Conference of the International Society for Music Information Retrieval. 223-228. Abstract
(2017). Effects of voice, instrumentation and production on the recognition of emotions communicated by pop-rock songs .
I Congreso Internacional de Psicología de la Música y la Interpretación Musical. Abstract
(2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
(2014). Real-time Algorithmic Composition with a Tabletop Musical Interface: A First Prototype and Performance.
Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. 9:1–9:7. Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2016). An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2016). Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2015). Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms.
Sound and Music Computing Conference 2015. Abstract
(2017). k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis.
International Symposium on Computer Music Multidisciplinary Research.
(2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2011). Music Perception with Current Signal Processing Strategies for Cochlear Implants.
Isabel 2011. Abstract
(2016). Development of a Sound Coding Strategy based on a Deep Recurrent Neural Network for Monaural Source Separation in Cochlear Implants.
12th ITG conference on Speech Communication. Abstract
(2017). Exploring the spontaneous expression of human finger-tapping.
2nd Conference on Computer Simulation of Musical Creativity. Abstract
(2014). There are places I remember: Personalized automatic creation of music playlists for Alzheimer’s patients.
The Neurosciences and Music V.
