Biblio

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2004
Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
2001
Bonada, J., Celma Ò., Loscos A., Ortolà J., & Serra X. (2001).  Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models. International Computer Music Conference. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2001).  Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
Normann, I., Purwins H., & Obermayer K. (2001).  Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. International Computer Music Conference. 274-276. Abstract
Ortolà, J. (2001).  Musical and phonetic controls in a singing voice synthesizer. Abstract
2000
Purwins, H., Blankertz B., & Obermayer K. (2000).  Computing auditory perception. Organised Sound. 5(3), 159-171. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2000).  A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
Ortolà, J. (2000).  Expressivitat musical en un sintetitzador de veu cantada. Abstract
1999
Blankertz, B., Purwins H., & Obermayer K. (1999).  Toroidal models of inter-key relations in tonal music. VI. International Conference on Systematic and Comparative Musicology. Abstract
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