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1999

Blankertz, B., Purwins H., & Obermayer K. (1999). Toroidal models of inter-key relations in tonal music. VI. International Conference on Systematic and Comparative Musicology. Abstract

2000

Ortolà, J. (2000). Expressivitat musical en un sintetitzador de veu cantada. Abstract

Purwins, H., Blankertz B., & Obermayer K. (2000). Computing auditory perception. Organised Sound. 5(3), 159-171. Abstract

Purwins, H., Blankertz B., & Obermayer K. (2000). A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract

2001

Ortolà, J. (2001). Musical and phonetic controls in a singing voice synthesizer. Abstract

Purwins, H., Blankertz B., & Obermayer K. (2001). Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.

Normann, I., Purwins H., & Obermayer K. (2001). Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract

Normann, I., Purwins H., & Obermayer K. (2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. International Computer Music Conference. 274-276. Abstract

Bonada, J., Celma Ò., Loscos A., Ortolà J., & Serra X. (2001). Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models. International Computer Music Conference. Abstract

2004

Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004). Object Design Considerations for Tangible Musical Interfaces. Abstract

Ong, B., & Herrera P. (2004). Computing Structural Descriptions of Music through the Identification of Representative Excerpts from Audio Files. International Computer Music Conference (ICMC). Abstract

Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004). Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract

Purwins, H., Blankertz B., Dornhege G., & Obermayer K. (2004). Scale Degree Profiles from Audio Investigated with Machine Learning. Audio Engineering Society Convention. Abstract

2005

Ong, B. (2005). Towards Automatic Music Structural Analysis Identifying Characteristic Within-Song Excerpts in Popular Music. Abstract

Ong, B., & Herrera P. (2005). Semantic Segmentation Of Music Audio Contents. International Computer Music Conference. Abstract

Purwins, H., Normann I., & Obermayer K. (2005). Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.

Cano, P., Koppenberger M., Wack N., G. Mahedero J., Aussenac T., Marxer R., et al. (2005). Content-based Music Audio Recommendation. ACM Multimedia. Abstract

Cano, P., Koppenberger M., Wack N., G. Mahedero J., Masip J., Celma Ò., et al. (2005). An Industrial-Strength Content-based Music Recommendation System. 28th Annual International ACM SIGIR Conference. Abstract

2006

Ong, B., Gómez E., & Streich S. (2006). Automatic Extraction of Musical Structure Using Pitch Class Distribution Features. Abstract

Gómez, E., Ong B., & Herrera P. (2006). Automatic Tonal Analysis from Music Summaries for Version Identification. AES 121th Convention. Abstract

Susini, P., Misdariis N., Lemaitre G., Houix O., Rocchesso D., Polotti P., et al. (2006). Closing the loop of sound evaluation and design. Perceptual Quality of Systems. Abstract

Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006). ISMIR 2004 Audio Description Contest. Abstract

Gómez, E., Streich S., Ong B., Paiva R. P., Tappert S., Batke J. M., et al. (2006). A Quantitative Comparison of Different Approaches for Melody Extraction from Polyphonic Audio Recordings. Abstract

2007

Poliner, G., Ellis D., Ehmann A., Gómez E., Streich S., & Ong B. (2007). Melody Transcription from Music Audio Approaches and Evaluation. IEEE Transactions on Audio, Speech and Language Processing. 15, 1247-1256. Abstract

Anniés, R., Martínez E., Adiloglu K., Purwins H., & Obermayer K. (2007). Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition. Abstract

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