Biblio

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Kersten, S. (2015).  Statistical modelling and resynthesis of environmental texture sounds. Department of Information and Communication Technologies. 171. Abstract
Scholler, S., & Purwins H. (2010).  Sparse Coding for Drum Sound Classification and its Use as a Similarity Measure. 3rd International Workshop on Machine Learning and Music (MML’10) at ACM Multimedia 2010 . Abstract
Park, J., Celma Ò., Koppenberger M., Cano P., & Buldú J. M. (2007).  The social network of contemporary popular musicians. International Journal of Bifurcation and Chaos (IJBC). 17, 2281 - 2288. Abstract
Herrera, P., Bello J. P., Widmer G., Sandler M., Celma Ò., Vignoli F., et al. (2005).  SIMAC Semantic interaction with music audio contents. 2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
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Holonowicz, P., Herrera P., & Purwins H. (2009).  The Role of Loudness in Detection of Surprising Events in Music Recordings. 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
Porcaro, L., & Saggion H. (2019).  Recognizing Musical Entities in User-generated Content. International Conference on Computational Linguistics and Intelligent Text Processing (CICLing) 2019. Abstract
Papiotis, P., & Purwins H. (2010).  Real-time Accompaniment using lyrics-matching QBH. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
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