Biblio

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Ruiz, G. (2017).  Analysis of the skills acquisition process in musical improvisation: an approach based on creativity. Abstract
Rubio, X. (2003).  Un sistema de control de fluxe per síntesi i processament d'àudio en temps real.
Ruano Gullón, L. (2015).  Hearing damage in pop/rock musicians: assessment of their rehearsal environment. Abstract
application/pdf iconLuis-Ruano-Master-thesis-2015.pdf
Rossi, A. (2018).  Event Recognition of Domestic Sounds using Semi-Supervised Learning. Abstract
Romaní Picas, O. (2014).  A novel audio-to-score alignment method using velocity-driven DTW. Abstract
Romaní Picas, O., Parra Rodriguez H., Dabiri D., Tokuda H., Hariya W., Oishi K., et al. (2015).  A real-time system for measuring sound goodness in instrumental sounds. AES 138th Convention. Abstract
Romanelli, L. (2018).  Towards a Model of Computational Beauty - extracting aesthetic meaning from music reviews. Abstract
Román Echeverri, C. G., & Herrera P. (2013).  Automatic Description Of Music For Analyzing Music Productions: A Case Study In Detecting Mellotron Sounds In Recordings. Journal on the Art of Record Production.
Román Echeverri, C. G., & Herrera P. (2013).  Automatic Description of Music for Analyzing Music Productions: A Study Case in Detecting Mellotron Sounds in Recordings. Art of Record Production Conference. Abstract
Román Echeverri, C. G. (2011).  Detection of genre-specific musical instruments: The case of the mellotron. Abstract
application/pdf iconRoman-Carlos-Master-thesis-2011.pdf
Roma, G., Herrera P., & Serra X. (2009).  Freesound Radio: supporting music creation by exploration of a sound database. Computational Creativity Support Workshop CHI09. Abstract
Roma, G., & Serra X. (2015).  Querying Freesound with a microphone. WAC - 1st Web Audio Conference. Abstract
application/pdf iconquerying.pdf
Roma, G. (2008).  Freesound Radio: supporting collective organization of sounds. Abstract
Roma, G., Janer J., Kersten S., Schirosa M., Herrera P., & Serra X. (2010).  Ecological acoustics perspective for content-based retrieval of environmental sounds. EURASIP Journal on Audio, Speech, and Music Processing. 2010, 960863 . Abstract
application/pdf iconp7-roma.pdf
Roma, G., Zanin M., Herrera P., Toral S. L., Font F., & Serra X. (2012).  Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127. Abstract
application/pdf iconpost-print
Roma, G., & Serra X. (2015).  Music performance by discovering community loops. WAC - 1st Web Audio Conference. Abstract
application/pdf iconfloop.pdf
Roma, G., & Herrera P. (2010).  Community structure in audio clip sharing. International Conference on INTELLIGENT NETWORKING AND COLLABORATIVE SYSTEMS (INCoS 2010). Abstract
application/pdf iconPID1497503.pdf
Roma, G., Nogueira W., & Herrera P. (2013).  Recurrence Quantification Analysis Features for Environmental Sound Recognition. IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA). 1-4.
application/pdf iconRoma-Waspaa-2014.pdf
Roma, G., Xambó A., Herrera P., & Laney R. (2012).  Factors in human recognition of timbre lexicons generated by data clustering. Sound and Music Computing Conference (SMC2012). Abstract
application/pdf iconsmc2012_submission_199.pdf
Roma, G., Janer J., Kersten S., Schirosa M., & Herrera P. (2010).  Content-based retrieval from unstructured databases using an ecological acoustics taxonomy. International Community for the Auditory Display.
application/pdf iconmtg_ICAD2010.pdf
Roma, G., & Herrera P. (2013).  Representing Music as Work in Progress. Structuring Music through Markup Language: Designs and Architectures. 119-134.
application/pdf iconRoma-Book-2013.pdf
Roma, G., & Herrera P. (2010).  Graph grammar representation for collaborative sample-based music creation. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf icona17-roma.pdf
Roma, G., Herrera P., & Nogueira W. (2017).  Environmental sound recognition using short-time feature aggregation. Journal of Intelligent Information Systems. 1-19.
Roma, G., & Xambó A. (2008).  A tabletop waveform editor for live performance. NIME08. Abstract
Roig Garcia, C. (2011).  Vocal Riffs Model for Synthesis and Transformation. Abstract
application/pdf iconRoig-Carles-Master-thesis-2011.pdf
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