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Quantifying the evolution of popular music. NoLineal.(2012).
A Sound Decomposition System Based on a Deterministic plus Residual Model. 119th Meeting of the Acoustical Society of America. 87(S1),(1990).
Transposing Chroma Representations to a Common Key. IEEE CS Conference on The Use of Symbols to Represent Music and Multimedia Objects. 45-48.(2008).
Cover song retrieval by cross recurrence quantification and unsupervised set detection. Music Information Retrieval Evaluation eXchange (MIREX) extended abstract.(2009).
Data Gathering for a Culture Specific Approach in MIR. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 867-868.(2012).
Creating Research Corpora for the Computational Study of Music: the case of the CompMusic Project. AES 53rd International Conference on Semantic Audio.(2014).
Towards A Roadmap for The Research in Music Technology. International Computer Music Conference.(2005).
Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra University. International Computer Music Conference (ICMC).(2004).
Audio cover song identification and similarity: background, approaches, evaluation, and beyond. ( , Ed.).Advances in Music Information Retrieval. 274, 307-332.(2010).
Sound hybridization techniques based on a deterministic plus stochastic decomposition model. International Computer Music Conference.(1994).
State of the Art and Future Directions in Musical Sound Synthesis. International Workshop on Multimedia Signal Processing.(2007).
Integrating Complementary Spectral Models in the Design of a Musical Synthesizer. International Computer Music Conference.(1997).
SANSY An Environment for the transformation of musical sounds. Leonardo Music Journal. Fall,(1991).
A qualitative assessment of measures for the evaluation of a cover song identification system. International Conference on Music Information Retrieval (ISMIR). 319-322.(2007).
Characterization and exploitation of community structure in cover song networks. Pattern Recognition Letters. 33(1), 1032–1041.(2012).
A Multicultural Approach in Music Information Research. Int. Soc. for Music Information Retrieval Conf. (ISMIR). 151-156.(2011).
Measuring the evolution of contemporary western popular music. Scientific Reports. 2(521),(2012).
Computer Models for Percussion Instruments. Colloque International sur Les Modeles Physiques Dans l'Analyse, la Production et la Creation Sonore.(1990).