Biblio

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Book
Book Chapter
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
Iglesias, C. A., Sánchez M., Guibert A., Guibertand M. J., & Gómez E. (2006).  A Multilingual Web-based Educational System for Professional Musicians. (Méndez-Vilas, A., Ed.).Current Developments in Technology-Assisted Education, Proceedings of Fourth International Conference on Multimedia and Information and Communication Technologies in Education. Abstract
Roma, G., & Herrera P. (2013).  Representing Music as Work in Progress. Structuring Music through Markup Language: Designs and Architectures. 119-134.
Amatriain, X., Bonada J., Loscos A., & Serra X. (2002).  Spectral Processing. (Udo Zölzer, Ed.).DAFX - Digital Audio Effects. 373-438.
Bonada, J., Serra X., Amatriain X., & Loscos A. (2011).  Spectral Processing. (Udo Zölzer, Ed.).DAFX Digital Audio Effects. 393-446.
Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
Conference Paper
Gouyon, F., Widmer G., & Serra X. (2005).  Acoustic Cues to Beat Induction A Machine Learning Perspective. 10th Rhythm Perception and Production Workshop. 24(2), 177-188. Abstract
Streich, S., & Herrera P. (2006).  Algorithmic Prediction of Music Complexity Judgements. 9th International Conference on Music Perceptionand Cognition. Abstract
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