Biblio

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T
Lee, S. W., Srinivasamurthy A., Tronel G., Shen W., & Freeman J. (2012).  Tok!: A Collaborative Acoustic Instrument using Mobile Phones. Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME).
application/pdf iconNIME2012.pdf
Martorell, A., Toiviainen P., & Gómez E. (2012).  Temporal multi-scale considerations in the modeling of tonal cognition from continuous rating experiments. International Conference on Music Perception and Cognition.
application/pdf iconTemporal multi-scale considerations in the modeling of tonal cognition from continuous rating experiments.pdf
Janer, J., Geraerts R., van Toll W. G., & Bonada J. (2013).  Talking Soundscapes: Automatizing Voice Transformations For Crowd Simulation. AES 49th International Conference, Audio for Games..
application/pdf iconpaper49i_crowd-final-2.pdf
S
Tian, M., Srinivasamurthy A., Sandler M., & Serra X. (2014).  A Study of Instrument-wise Onset Detection in Beijing Opera Percussion Ensembles. IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP). Abstract
application/pdf iconBOtranscription.pdf
Cano, P., Koppenberger M., Herrera P., Celma Ò., & Tarasov V. (2004).  Sound Effect Taxonomy Management in Production Environments. 25th AES International Conference. Metadata for Audio. Abstract
Roma, G., Zanin M., Herrera P., Toral S. L., Font F., & Serra X. (2012).  Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127. Abstract
application/pdf iconIJSNM010106 ROMA.pdf
Thallinger, G., Kienast G., Mayor O., Cullen C., Hackett R., & Jose J. (2009).  SALERO: Semantic AudiovisuaL Entertainment Reusable Objects. International Broadcasting Conference (IBC 2009). Abstract
Q
Gómez, E., Streich S., Ong B., Paiva R. P., Tappert S., Batke J. M., et al. (2006).  A Quantitative Comparison of Different Approaches for Melody Extraction from Polyphonic Audio Recordings. Abstract
P
Tizón, M., Gómez F., & Oramas S. (2013).  Perceived Emotions in Phrygian Mode In Musically Trained Children. 3rd International Conference in Music & Emotion. Abstract
M
García, R., Tsinaraki C., Celma Ò., & Christodoulakis S. (2008).  Multimedia Content Description using Semantic Web Languages. (Springer, Ed.).Semantic multimedia and ontologies: theory and applications.
Cano, P., Koppenberger M., Ferradans S., Martinez A., Gouyon F., Sandvold V., et al. (2004).  MTG-DB A Repository for Music Audio Processing. Abstract
Troncy, R., Celma Ò., Little S., García R., & Tsinaraki C. (2007).  MPEG-7 based Multimedia Ontologies: Interoperability Support or Interoperability Issue?. 1st Workshop on Multimedia Annotation and Retrieval enabled by Shared Ontologies. Abstract
Celma, Ò., Dasiopoulou S., Hausenblas M., Little S., Tsinaraki C., & Troncy R. (2007).  MPEG-7 and the Semantic Web. W3C.
Guastavino, C., Gómez F., Toussaint G., Marandola F., & Gómez E. (2009).  Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research. 38(2), 129-138. Abstract
application/pdf iconGuastavinoEtAlJNMR2009.pdf
L
Marxer, R., Janer J., & Bonada J. (2012).  Low-Latency Instrument Separation in Polyphonic Audio Using Timbre Models. (Theis, Fabian, Cichocki, Andrzej, Yeredor, Arie, Zibulevsky, Michael, Ed.).Latent Variable Analysis and Signal Separation - 10th International Conference, LVA/ICA. 7191, 314-321. Abstract
application/pdf iconlowlatency.pdf
I
G. Mahedero, J., Tarasov V., Batlle E., Guaus E., & Masip J. (2004).  Industrial audio fingerprinting distributed system with CORBA and Web Services. 5th International Conference on Music Information Retrieval. 337-340. Abstract
F
Molina, E., Barbancho I., Gómez E., Barbancho A. M., & Tardón L. J. (2013).  Fundamental frequency alignment vs note-based melodic similarity for singing voice assessment. 8th IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).
application/pdf iconSingingAssessment_ICASSP2013.pdf
Akkermans, V., Font F., Funollet J., De Jong, B, Roma G., Togias S., et al. (2011).  Freesound 2: An Improved Platform for Sharing Audio Clips. International Society for Music Information Retrieval Conference (ISMIR 2011), Late-breaking Demo Session. Abstract
application/pdf iconfreesound_ismir.pdf
Thornburg, H., & Gouyon F. (2000).  A Flexible Analysis/Synthesis Method for Transients. Abstract
E
Laurier, C., Lartillot O., Eerola T., & Toiviainen P. (2009).  Exploring Relationships between Audio Features and Emotion in Music. ESCOM, Conference of European Society for the Cognitive Sciences of Music. Abstract
Gouyon, F., Klapuri A., Dixon S., Alonso M., Tzanetakis G., Uhle C., et al. (2006).  An experimental comparison of audio tempo induction algorithms. IEEE Transactions on Speech and Audio Processing. 14, Abstract
D
Sarasúa, Á., & Guaus E. (2014).  Dynamics in Music Conducting: A Computational Comparative Study Among Subjects. (Caramiaux, Baptiste, Tahiroglu, Koray, Fiebrink, Rebecca, Tanaka, Atau, Ed.).International Conference on New Interfaces for Musical Expression. 195–200. Abstract
application/pdf icon464_paper.pdf
Tutzer, F. (2011).  Drum rhythm retrieval based on rhythm- and sound similarity. Abstract
application/pdf iconTutzer-Felix-Master-thesis-2011.pdf
Tizón, M., Gómez F., & Oramas S. (2014).  Does Always the Phrygian Mode Elicit Responses of Negative Valence?. 4th International Workshop on Folk Music Analysis (FMA). Abstract
application/pdf iconEmotions-FMA2014.pdf
C
Togias, S. (2012).  Characterization of Rhythm of Folk Music in the Mediterranean. Abstract
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