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Tok!: A Collaborative Acoustic Instrument using Mobile Phones. Proceedings of the 12th International Conference on New Interfaces for Musical Expression (NIME).(2012).
Temporal multi-scale considerations in the modeling of tonal cognition from continuous rating experiments. International Conference on Music Perception and Cognition.(2012).
Talking Soundscapes: Automatizing Voice Transformations For Crowd Simulation. AES 49th International Conference, Audio for Games..(2013).
A Study of Instrument-wise Onset Detection in Beijing Opera Percussion Ensembles. IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).(2014).
Sound Effect Taxonomy Management in Production Environments. 25th AES International Conference. Metadata for Audio.(2004).
Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127.(2012).
SALERO: Semantic AudiovisuaL Entertainment Reusable Objects. International Broadcasting Conference (IBC 2009).(2009).
Perceived Emotions in Phrygian Mode In Musically Trained Children. 3rd International Conference in Music & Emotion.(2013).
Multimedia Content Description using Semantic Web Languages. ( , Ed.).Semantic multimedia and ontologies: theory and applications.(2008).
MPEG-7 based Multimedia Ontologies: Interoperability Support or Interoperability Issue?. 1st Workshop on Multimedia Annotation and Retrieval enabled by Shared Ontologies.(2007).
Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research. 38(2), 129-138.(2009).
Low-Latency Instrument Separation in Polyphonic Audio Using Timbre Models. ( , Ed.).Latent Variable Analysis and Signal Separation - 10th International Conference, LVA/ICA. 7191, 314-321.(2012).
Industrial audio fingerprinting distributed system with CORBA and Web Services. 5th International Conference on Music Information Retrieval. 337-340.(2004).
Fundamental frequency alignment vs note-based melodic similarity for singing voice assessment. 8th IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).(2013).
Freesound 2: An Improved Platform for Sharing Audio Clips. International Society for Music Information Retrieval Conference (ISMIR 2011), Late-breaking Demo Session.(2011).
Exploring Relationships between Audio Features and Emotion in Music. ESCOM, Conference of European Society for the Cognitive Sciences of Music.(2009).
An experimental comparison of audio tempo induction algorithms. IEEE Transactions on Speech and Audio Processing. 14,(2006).
Dynamics in Music Conducting: A Computational Comparative Study Among Subjects. ( , Ed.).Proceedings of the International Conference on New Interfaces for Musical Expression. 195–200.(2014).
Does Always the Phrygian Mode Elicit Responses of Negative Valence?. 4th International Workshop on Folk Music Analysis (FMA).(2014).