Biblio
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(2015). Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming.
Sound and Music Computing Conference.
(2013). A Review Of Real-Time Eeg Sonification Research.
The 19th International Conference on Auditory Display (ICAD-2013).
(2011). THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT.
8th Sound and Music Computing Conference.
(2015). Is an auditory P300-based Brain-Computer Musical Interface feasible?.
CMMR2015: International Workshop on BCMI.
(2013). A High-Throughput Auditory P300 Interface for Everyone.
12th European AAATE Conference. 478-482. Abstract
(2016). The EyeHarp: A Gaze-Controlled Digital Musical Instrument.
Frontiers in Psychology . 7,
(2012). A Brain-Gaze Controlled Musical Interface.
Berlin BCI Workshop 2012 - Advances in Neurotechnology.
(2015). A PERCUSSIVE MUSICAL INTERFACE FOR A QUADRIPLEGIC PATIENT.
International Symposium on Performance Science 2015. 60-61.
(2013). Towards a Low Cost Mu-Rhythm Based BCI.
Fifth International Brain-Computer Interface Meeting 2013.
(2012). Temporal Control In the EyeHarp Gaze-Controlled Musical Interface.
New Interfaces for Musical Expression (NIME) 2012. Abstract
(2015). EEG Signal classification in a Brain-Computer Music Interface.
8th International Workshop on Machine Learning and Music. 28-30.
(2014). P300 Harmonies: A Brain-Computer Musical Interface.
International Computer Music Conference/Sound and Music Computing Conference. Abstract
(2016). Digital Musical Instruments for People with Physical Disabilities.
Department of Information and Communication Technologies. 163.
(2012). Automatic Identification of Samples in Hip Hop Music.
9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
(2010). Quantifying Masking in Multi-track Recordings.
Proceedings of SMC Conference 2010, Barcelona. Abstract
