Biblio
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An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2016).
(2006).
(2005).
The CUIDADO Project.
3rd International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
(2002).
(2011).
(2010).
Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion.
IEEE International Workshop on Machine Learning for Signal Processing. Abstract
(2015).
Applying Voice Conversion To Concatenative Singing-Voice Synthesis.
Interspeech. 2162-2165. Abstract
(2010).
(2015).
(2016).
Applying Improved Spectral Modeling for High Quality Voice Conversion .
( , Ed.).ICASSP 2009. Abstract
(2009).
(2012).
(2011).
Quantifying Masking in Multi-track Recordings.
Proceedings of SMC Conference 2010, Barcelona. Abstract
(2010).
(2012).
(2011).
Automatic Identification of Samples in Hip Hop Music.
9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
(2012).
P300 Harmonies: A Brain-Computer Musical Interface.
International Computer Music Conference/Sound and Music Computing Conference. Abstract
(2014).
Digital Musical Instruments for People with Physical Disabilities.
Department of Information and Communication Technologies. 163.
(2016).
THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT.
8th Sound and Music Computing Conference.
(2011).
Is an auditory P300-based Brain-Computer Musical Interface feasible?.
CMMR2015: International Workshop on BCMI.
(2015).
A High-Throughput Auditory P300 Interface for Everyone.
12th European AAATE Conference. 478-482. Abstract
(2013).
The EyeHarp: A Gaze-Controlled Digital Musical Instrument.
Frontiers in Psychology . 7,
(2016).