Biblio
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An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2016).
(2006).
(2005).
The CUIDADO Project.
3rd International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
(2002).
(2010).
(2011).
(2015).
(2016).
Applying Improved Spectral Modeling for High Quality Voice Conversion .
( , Ed.).ICASSP 2009. Abstract
(2009).
Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion.
IEEE International Workshop on Machine Learning for Signal Processing. Abstract
(2015).
Applying Voice Conversion To Concatenative Singing-Voice Synthesis.
Interspeech. 2162-2165. Abstract
(2010).
(2012).
(2011).
Quantifying Masking in Multi-track Recordings.
Proceedings of SMC Conference 2010, Barcelona. Abstract
(2010).
(2012).
Automatic Identification of Samples in Hip Hop Music.
9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
(2012).
(2011).
THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT.
8th Sound and Music Computing Conference.
(2011).
Is an auditory P300-based Brain-Computer Musical Interface feasible?.
CMMR2015: International Workshop on BCMI.
(2015).
A High-Throughput Auditory P300 Interface for Everyone.
12th European AAATE Conference. 478-482. Abstract
(2013).
The EyeHarp: A Gaze-Controlled Digital Musical Instrument.
Frontiers in Psychology . 7,
(2016).
A Brain-Gaze Controlled Musical Interface.
Berlin BCI Workshop 2012 - Advances in Neurotechnology.
(2012).
A PERCUSSIVE MUSICAL INTERFACE FOR A QUADRIPLEGIC PATIENT.
International Symposium on Performance Science 2015. 60-61.
(2015).