Biblio

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Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
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Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. (2010).  The Reactable : Tangible and Tabletop Music Performance. CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
Väljamäe, A., Mealla S., Steffert T., Holland S., Marimon X., Oliveira A., et al. (2013).  A Review Of Real-Time Eeg Sonification Research. The 19th International Conference on Auditory Display (ICAD-2013).
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Rhythm Spaces. 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
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Gómez-Marín, D. (2018).  Similarity and Style in Electronic Dance Music Drum Rhythms. Department of Information and Communications Technologies. Abstract
Gallardo, D., & Jordà S. (2013).  SLFiducials: 6DoF markers for tabletop interaction. Proceedings of the 2013 ACM international conference on Interactive tabletops and surfaces.
Jordà, S. (2004).  Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
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