Biblio

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E
Turquois, C., Hermant M., Gómez-Marín D., & Jordà S. (2016).  Exploring the Benefits of 2D V isualizations for Drum Samples Retrieval. ACM on Conference on Human Information Interaction and Retrieval 2016. 329-332. Abstract
application/pdf iconFull paper
Catala, A., Jaen J., van Dijk B., & Jordà S. (2012).  Exploring tabletops as an effective tool to foster creativity traits. Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
Gallardo, D. (2015).  Expanding tangible tabletop interfaces beyond the display. Information and Communication Technologies. 194. Abstract
application/pdf iconDaniel Gallardo's Thesis
Nuanáin, C. Ó., Herrera P., & Jordà S. (2016).  An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. 17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  Evaluating rhythm similarity distances: The effect of inducing the beat. Rhythm production and perception workshop. 57.
Jordà, S. (1996).  EPIZOO cruelty and gratuitousness in real virtuality.
D
Kaltenbrunner, M., Geiger G., & Jordà S. (2004).  Dynamic Patches for Live Musical Performance. Abstract
Jordà, S., Gómez-Marín D., Faraldo Á., & Herrera P. (2016).  Drumming with style: From user needs to a working prototype. 16th International Conference on New Interfaces for Musical Expression. 365-370.
Gómez-Marín, D., Jordà S., & Herrera P. (2017).  Drum rhythm spaces: from global models to style-specifc maps. 13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Department of Information and Communication Technologies. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part II: Diversity, Freedom and Control. International Computer Music Conference. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
Jordà, S., Hunter S., Pla P., Gallardo D., Leithinger D., Kaufman H., et al. (2010).  Development strategies for tangible interaction on horizontal surfaces. Tangible Embedded and Embodied Interaction. Abstract
C
Nuanáin, C. Ó. (2018).  Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains. Department of Information and Communication Technologies. 257. Abstract
Jordà, S., & Barbosa A. (2001).  Computer Supported Cooperative Music Overview of research work and projects at the Audiovisual Institute - UPF. Abstract
B
Molina, P., Haro G. G., & Jordà S. (2011).  BeatJockey: A new tool for enhancing DJ skills. New Interfaces for Musical Expression (NIME). 288-291. Abstract
application/pdf iconG20-Molina.pdf
A
Wüst, O., & Jordà S. (2001).  Architectural Overview of a System for Collaborative Music Composition over the Web. International Computer Music Conference. 298-301. Abstract
application/pdf iconarchitectural_overview_collabative_music.pdf
Jordà, S. (2002).  Afasia the Ultimate Homeric One-man-multimedia-band. Abstract
Villafuerte, L., Markova M. S., & Jordà S. (2012).  Acquisition of Social Abilities Through Musical Tangible User Interface: Children with Autism Spectrum Condition and the Reactable. CHI'12. 745-760. Abstract
application/pdf iconp745-villafuerte.pdf
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