Biblio
] Filters: Author is Sergi Jordà [Clear All Filters]
(2001). Architectural Overview of a System for Collaborative Music Composition over the Web.
International Computer Music Conference. 298-301. Abstract
(2011). BeatJockey: A new tool for enhancing DJ skills.
New Interfaces for Musical Expression (NIME). 288-291. Abstract
(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2010). Development strategies for tangible interaction on horizontal surfaces.
Tangible Embedded and Embodied Interaction. Abstract
(2004). Digital Instruments and Players Part II: Diversity, Freedom and Control.
International Computer Music Conference. Abstract
(2005). Digital Lutherie Crafting musical computers for new musics' performance and improvisation.
Department of Information and Communication Technologies. Abstract
(2017). Drum rhythm spaces: from global models to style-specifc maps.
13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
(2016). Drumming with style: From user needs to a working prototype.
16th International Conference on New Interfaces for Musical Expression. 365-370.
(2015). Evaluating rhythm similarity distances: The effect of inducing the beat.
Rhythm production and perception workshop. 57.
(2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
(2015). Expanding tangible tabletop interfaces beyond the display.
Information and Communication Technologies. 194. Abstract
(2012). Exploring tabletops as an effective tool to foster creativity traits.
Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
(2016). Exploring the Benefits of 2D V isualizations for Drum Samples Retrieval.
ACM on Conference on Human Information Interaction and Retrieval 2016. 329-332. Abstract
(2017). Exploring the spontaneous expression of human finger-tapping.
2nd Conference on Computer Simulation of Musical Creativity. Abstract
(1999). Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet.
Leonardo Music Journal. 9, 5-12. Abstract
(1998). FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems.
International Conference on Digital Audio Effects (DAFX). Abstract
(2002). FMOL Toward User-Friendly, Sophisticated New Musical Instruments.
Computer Music Journal. 26, pp 23-39. Abstract
