Biblio

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1991
Jordà, S. (1991).  A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. Abstract
1996
Jordà, S. (1996).  EPIZOO cruelty and gratuitousness in real virtuality.
1997
Jordà, S. (1997).  Guía Monográfica del Audio Digital y el MIDI. Anaya Multimedia. 336.
1998
Jordà, S. (1998).  La computadora-ahorra-técnicos... y algo más. Virtualia. México D.F..
Jordà, S., & Aguilar T. (1998).  FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems. International Conference on Digital Audio Effects (DAFX). Abstract
1999
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
Jordà, S. (1999).  Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet. Leonardo Music Journal. 9, 5-12. Abstract
2001
Jordà, S., & Barbosa A. (2001).  Computer Supported Cooperative Music Overview of research work and projects at the Audiovisual Institute - UPF. Abstract
Jordà, S., & Wüst O. (2001).  FMOL A System for Collaborative Music Composition over the Web. Abstract
Jordà, S. (2001).  Improvising with Computers A Personal Survey (1989-2001). Abstract
Jordà, S. (2001).  New Musical Interfaces and New Music-making Paradigms. Abstract
Wüst, O., & Jordà S. (2001).  Architectural Overview of a System for Collaborative Music Composition over the Web. International Computer Music Conference. 298-301. Abstract
application/pdf iconarchitectural_overview_collabative_music.pdf
2002
Jordà, S. (2002).  Afasia the Ultimate Homeric One-man-multimedia-band. Abstract
Jordà, S. (2002).  FMOL Toward User-Friendly, Sophisticated New Musical Instruments. Computer Music Journal. 26, pp 23-39.
Jordà, S. (2002).  Improvising with Computers A Personal Survey (1989-2001). Journal of New Music Research. 31, pp 1-10. Abstract
2003
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Jordà, S. (2003).  Sonigraphical Instruments From FMOL to the reacTable*. Abstract
Jordà, S. (2003).  Reactable Kick Off.
application/pdf iconreacTableKickOff2003.pdf
2004
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
Kaltenbrunner, M., Geiger G., & Jordà S. (2004).  Dynamic Patches for Live Musical Performance. Abstract
Alonso, M., Geiger G., & Jordà S. (2004).  An Internet Browser Plug-in for Real-time Audio Synthesis. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part II: Diversity, Freedom and Control. International Computer Music Conference. Abstract
Jordà, S. (2004).  Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
2005
Bencina, R., Kaltenbrunner M., & Jordà S. (2005).  Improved Topological Fiducial Tracking in the reacTIVision System. Abstract
Jordà, S. (2005).  Instruments and Players Some thoughts on digital lutherie. Journal of New Music Research. 33, Abstract
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