Biblio

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Conference Paper
Salamon, J., Serrà J., & Gómez E. (2012).  Melody, Bass Line, and Harmony Representations for Music Version Identification. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). Abstract
application/pdf iconsalamonAdMIRe2012.pdf
Bosch, J., Mayor O., & Gómez E. (2015).  Melovizz: A Web-based tool for Score-Informed Melody Extraction Visualization. ISMIR (Late Breaking Demo).
application/pdf iconISMIR LBD Bosch - melovizz melody extraction visualisation.pdf
Gomes, L., Gómez E., Bonnet M., & Moreau N. (2001).  Méthodes de resynchronisation pour le tatouage audio. Abstract
Salamon, J., & Gómez E. (2014).  MIR.EDU: AN OPEN-SOURCE LIBRARY FOR TEACHING SOUND AND MUSIC DESCRIPTION. International Society for Music Information Retrieval conference. Late Breaking Demo.
application/pdf iconLBD_LBD23.pdf
Zapata, J. R., Davies M. E. P., & Gómez E. (2012).  MIREX 2012: MULTI FEATURE BEAT TRACKER (ZDG1 AND ZDG2). 7th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
application/pdf iconMultiFT_BT_Mirex_2012.pdf
application/pdf iconPoster_BT_MIREX2012.pdf
Gómez, E., Cano P., Gomes L., Batlle E., & Bonnet M. (2002).  Mixed Watermarking-Fingerprinting Approach for Integrity Verification of Audio Recordings. Abstract
Porcaro, L., & Gómez E. (2019).  A Model for Evaluating Popularity and Semantic Information Variations in Radio Listening Sessions. 1st Workshop on the Impact of Recommender Systems (ImpactRS), at the 13th ACM Conference on Recommender Systems (RecSys 2019). Abstract
Miron, M., Janer J., & Gómez E. (2017).  Monaural score-informed source separation for classical music using convolutional neural networks. 18th International Society for Music Information Retrieval Conference.
Chandna, P., Miron M., Janer J., & Gómez E. (2017).  Monoaural Audio Source Separation Using Deep Convolutional Neural Networks. 13th International Conference on Latent Variable Analysis and Signal Separation (LVA ICA2017).
application/pdf iconmonoaural-audio-source.pdf
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  MPEG-7 for Content-based Music Processing. Abstract
Herrera, P., Celma Ò., Massaguer J., Cano P., Gómez E., Gouyon F., et al. (2005).  Mucosa a music content semantic annotator. 6th International Conference on Music Information Retrieval (2005). Abstract
Fernández-Macías, E., Gomez E., Hernández-Orallo J., Loe B. - S., Martens B., Martínez-Plumed F., et al. (2018).  A multidisciplinary task-based perspective for evaluating the impact of AI autonomy and generality on the future of work. Workshop on architectures and evaluation for generality, autonomy and progress in AI, IJCAI-ECAI 2018, AAMAS 2018 AND ICML 2018.
Gómez, E., Haro M., & Herrera P. (2009).  Music and geography: content description of musical audio from different parts of the world. 10th International Society for Music Information Retrieval Conference. Abstract
Gómez, E., Schedl M., Serra X., & Hu X. (2016).  Music Information Retrieval:
 Overview, Recent Developments and Future Challenges. 17th International Society for Music Information Retrieval (ISMIR) Conference. 11-12. Abstract
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  The Musical Avatar - A visualization of musical preferences by means of audio content description. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf iconavatar_AM2010.pdf
Salamon, J., Rocha B., & Gómez E. (2012).  Musical Genre Classification using Melody Features Extracted from Polyphonic Music Signals. IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). Abstract
application/pdf iconSalamonRochaGomezICASSP2012.pdf
Slizovskaia, O., Gómez E., & Haro G. G. (2017).  Musical Instrument Recognition in User-generated Videos using a Multimodal Convolutional Neural Network Architecture. ACM International Conference on Multimedia Retrieval. Abstract
application/pdf iconpostprint
Durand, N., & Gómez E. (2001).  Periodicity Analysis using An Harmonic Matching method and Bandwise Processing. Abstract
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Peterschmitt, G., Gómez E., & Herrera P. (2001).  Pitch-based Solo Location. Abstract
Gómez, E., Cañadas F., Salamon J., Bonada J., Vera P., & Cabañas P. (2012).  Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconMTGUJA-ISMIR2012-FINAL.pdf
Gomes, L., Gómez E., & Moreau N. (2001).  Resynchronization methods for audio watermarking. Abstract
Salamon, J., Gómez E., & Bonada J. (2011).  Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). 73-80. Abstract
application/pdf iconSalamonGomezBonada_DAFx11.pdf
Gómez, E., & Herrera P. (2006).  The song remains the same identifying versions of the same piece using tonal descriptors. Abstract
Guaus, E., & Gómez E. (2005).  Storage and Retrieval of relevant information from music master classes. 36th conference of the International Association of Sound and Audiovisual Archives (IASA). Abstract
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