Biblio
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(2005). Content-based Music Audio Recommendation.
ACM Multimedia. Abstract
(2008). Content Processing of Music Audio Signals.
(, Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
(2014). Computational models for perceived melodic similarity in a cappella flamenco cantes.
15th International Society for Music Information Retrieval Conference.
(2013). Computational Ethnomusicology: perspectives and challenges.
Journal of New Music Research. 42(2), 111-112.
(2014). Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music.
4th International Workshop On Folk Music Analysis. Abstract
(2016). A Comparison of Melody Extraction Methods Based on Source-Filter Modelling.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 571-577.
(2008). Comparative Melodic Analysis of A Cappella Flamenco Cantes.
Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
(2013). Comparative evaluation and combination of automatic rhythm description systems.
Department of Information and Communication Technologies. Abstract
(2011). Comparative evaluation and combination of audio tempo estimation approaches.
(, Ed.).AES 42nd Conference on Semantic Audio. Abstract
(2008). Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining.
4th Conference on Interdisciplinary Musicology (CIM08).
(2008). Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction.
Empirical Musicology Review. 3(3), 140-156. Abstract
(2011). Combination of Audio Tempo Estimation Approaches (MIREX 2011 Submission).
6th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
(2009). A Chroma-based Salience Function for Melody and Bass Line Estimation from Music Audio Signals.
Sound and Music Computing Conference. 331-336. Abstract
(2008). Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
(2013). Caracterización automática del cante flamenco a base de análisis de grabaciones..
Investigación y Flamenco (INFLA).
(2018). CANTE FLAMENCO TECH: Aprendizaje del cante con la ayuda de la tecnología.
V Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO (INFLA). Abstract
(2016). Becoming the Maestro - A Game to Enhance Curiosity for Classical Music.
2016 8th International Conference on Games and Virtual Worlds for Serious Applications (VS-GAMES). 1-4.
(2017). BAT: An open-source, web-based audio events annotation tool.
Web Audio Conference. Abstract
(2016). Automatic Transcription of Flamenco Singing From Polyphonic Music Recordings.
IEEE/ACM Transactions on Audio, Speech, and Language Processing. 25(5), 901-913. Abstract
(2012). Automatic Transcription of Flamenco Singing from Monophonic and Polyphonic Music Recordings.
III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
(2018). Automatic Transcription of Flamenco Guitar Falsetas.
International Workshop on Folk Music Analysis.
(2006). Automatic Tonal Analysis from Music Summaries for Version Identification.
AES 121th Convention. Abstract
(2014). Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors.
International Computer Music Conference/Sound and Music Computing Conference.
