Biblio
] Filters: Author is Xavier Serra [Clear All Filters]
(2008). Singing-driven Interfaces for Sound Synthesizers.
Department of Information and Communication Technologies. Abstract
(2008). Voice Processing and Synthesis by Performance Sampling and Spectral Models.
Department of Information and Communication Technologies. Abstract
(2008). De la Cultura Musical a la Cultura del So en la Societat Tecnològica.
2n Congrés Internacional de Música a Catalunya. Abstract
(2008). Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
(2008). Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2008). Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing.
Physics of Life Reviews. 5(3), 169-182. Abstract
(2008). Statistical analysis of chroma features in western music predicts human judgments of tonality.
Journal of New Music Research. 37(4), 299-309. Abstract
(2009). Audio content processing for automatic music genre classification: descriptors, databases, and classifiers.
Department of Information and Communication Technologies. Abstract
(2009). Enhancing Spectral Synthesis Techniques with Performance Gestures using the Violin as a Case Study.
Department of Information and Communication Technologies. 165. Abstract
(2009). Modeling instrumental gestures: an analysis/synthesis framework for violin bowing.
Department of Information and Communication Technologies. Abstract
(2009). Freesound Radio: supporting music creation by exploration of a sound database.
Computational Creativity Support Workshop CHI09. Abstract
(2009). What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2009). Cross recurrence quantification for cover song identification.
New Journal of Physics. 11, 093017. Abstract
(2009). SMSPD, LIBSMS and a Real-Time SMS Instruments.
International Conference on Digital Audio Effects. Abstract
(2009). Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval.
Journal of Virtual Worlds Research. 2(3), 4-6. Abstract
(2009). Detecting Solo Phrases in Music using Spectral and Pitch-related Descriptors.
Journal of New Music Research. 38(4), 343 - 356. Abstract
(2009). Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2009). Extending the folksonomies of freesound.org using content-based audio analysis.
Sound and Music Computing Conference. Abstract
(2009). Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept.
(, Ed.).Sound and Music Computing Conference. 297-302. Abstract
(2009). The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
(2010). Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31(12), 1514-1523.
(2010). Ecological acoustics perspective for content-based retrieval of environmental sounds.
EURASIP Journal on Audio, Speech, and Music Processing. 2010, 960863 . Abstract
(2010). Musical Expectation Modelling from Audio: a causal mid-level approach to predictive representation and learning of spectro-temporal events..
Departament de Tecnologies de la Informació i les Comunicacions. 119. Abstract
(2010). Indexing Music by Mood: Design and Integration of an Automatic Content-based Annotator.
Multimedia Tools and Applications. 48(1), 161-184. Abstract
(2010). A look into the past: Analysis of trends and topics in the Sound & Music Computing Conference.
Sound and Music Computing Conference. Abstract
