Biblio
Filters: Author is Xavier Serra [Clear All Filters]
Towards A Roadmap for The Research in Music Technology.
International Computer Music Conference. Abstract
(2005).
Towards Alignment of Score and Audio Recordings of Ottoman-Turkish Makam Music.
( , Ed.).4th International Workshop on Folk Music Analysis. 57-60. Abstract
(2014).
Towards Instrument Segmentation for Music Content Description a Critical Review of Instrument Classification Techniques.
International Conference on Music Information Retrieval. Abstract
(2000).
Training neural audio classifiers with few data.
44th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP2019). Abstract
(2019).
Transcription and Recognition of Syllable based Percussion Patterns: The Case of Beijing Opera.
International Society for Music Information Retrieval Conference (ISMIR-2014). 431-436. Abstract
(2014).
Transfer Learning of Artist Group Factors to Musical Genre Classification.
WWW ’18 The Web Conference 2018. Abstract
(2018).
A Two-stage Approach for Tonic Identification in Indian Art Music.
2nd CompMusic Workshop. Abstract
(2012).
Understanding the expressive functions of jingju metrical patterns through lyrics text mining.
18th International Society for Music Information Retrieval Conference. 397-403. Abstract
(2017).
Using offline metrics and user behavior analysis to combine multiple systems for music recommendation.
RecSys 2018 Workshop on Offline Evaluation of Recommender Systems. Abstract
(2018).
Using the Sound Description Interchange Format within the SMS Applications.
International Computer Music Conference. Abstract
(2000).
Voice Morphing System for Impersonating in Karaoke Applications.
International Computer Music Conference. Abstract
(2000).
A Wavenet for Speech Denoising.
43rd IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP2018). Abstract
(2018).
A Web Interface for a Sound Database and Processing System.
International Computer Music Conference. Abstract
(1997).
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?.
15th International Society for Music Information Retrieval Conference. 573-578. Abstract
(2014).
Acoustic Cues to Beat Induction. A Machine Learning Perspective.
Music Percepcion. UCPress. 24, 177-188. Abstract
(2006).
Analysis of the impact of a tag recommendation system in a real-world folksonomy.
ACM Transactions on Intelligent Systems and Technology. 7(1), 27. Abstract
(2015).
Analysis/synthesis comparison.
Organized Sound. 5, pp 173-189. Abstract
(2000).
Aspects of tempo and rhythmic elaboration in Hindustani music: A corpus study.
Frontiers in Digital Humanities: Digital Musicology. 4, 20. Abstract
(2017).
Automatic Performer Identification in Celtic Violin Audio Recordings.
Journal of New Music Research. 40(2), 165-174. Abstract
(2011).
Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31(12), 1514-1523.
(2010).
Automatic Tonic Identification in Indian Art Music: Approaches and Evaluation.
Journal of New Music Research. 43(1), 53-71. Abstract
(2014).
Characterization and exploitation of community structure in cover song networks.
Pattern Recognition Letters. 33(1), 1032–1041. Abstract
(2012).
Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
(2008).
Class-based tag recommendation and user-based evaluation in online audio clip sharing.
Knowledge-Based Systems. 67, 131-142. Abstract
(2014).
Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2008).