Biblio

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Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2009).  Visualisation and Measurement Assisted Design . Abstract
application/pdf iconAdiloglu_et_al_CLOSED_Deliverable5.2.pdf
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Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
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Blankertz, B., Purwins H., & Obermayer K. (1999).  Toroidal models of inter-key relations in tonal music. VI. International Conference on Systematic and Comparative Musicology. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2007).  Toroidal Models in Tonal Theory and Pitch-Class Analysis. Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
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Normann, I., Purwins H., & Obermayer K. (2001).  Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. International Computer Music Conference. 274-276. Abstract
Purwins, H., Blankertz B., Dornhege G., & Obermayer K. (2004).  Scale Degree Profiles from Audio Investigated with Machine Learning. Audio Engineering Society Convention. Abstract
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Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
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Martínez, E., Adiloglu K., Anniés R., Purwins H., & Obermayer K. (2007).  Perceptual Representations for Classification of Everyday Sounds. Audio Mostly . Abstract
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Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
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Purwins, H., Blankertz B., & Obermayer K. (2000).  A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
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Adiloglu, K., Anniés R., Wahlen E., Purwins H., & Obermayer K. (2012).  A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events. IEEE Transactions on Audio, Speech, and Language Processing. Abstract
application/pdf iconAdiloglu_etal_TASP_DissimSounds.pdf
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Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004).  Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2001).  Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.
Purwins, H., Blankertz B., & Obermayer K. (2000).  Computing auditory perception. Organised Sound. 5(3), 159-171. Abstract
Susini, P., Misdariis N., Lemaitre G., Houix O., Rocchesso D., Polotti P., et al. (2006).  Closing the loop of sound evaluation and design. Perceptual Quality of Systems. Abstract
Anniés, R., Martínez E., Adiloglu K., Purwins H., & Obermayer K. (2007).  Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition. Abstract
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