Biblio
Filters: Author is Obermayer, Klaus [Clear All Filters]
Unendlichkeit - Konstruktion akustischer Paradoxien.
( , Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2005).
Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(1999).
Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(2007).
Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2001).
Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2004).
(2007).
A new method for tracking modulations in tonal music in audio data format.
International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
(2000).
A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events.
IEEE Transactions on Audio, Speech, and Language Processing. 20(5), 1542-52. Abstract
(2012).
Correspondence analysis for visualizing interplay of pitch class, key, and composer.
( , Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2004).
Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2001).
Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2000).
Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2006).
Classification Schemes for Step Sounds Based on Gammatone-Filters.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2007).