Biblio

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Zils, A., Pachet F., Delerue O., & Gouyon F. (2002).  Automatic Extraction of Drum Tracks from Polyphonic Music Signals. Abstract
Zapata, J. R., Holzapfel A., Davies M. E. P., Oliveira J., & Gouyon F. (2012).  Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets. 13th International Society for Music Information Retrieval Conference. 157-162. Abstract
application/pdf iconJose_Zapata_et_al_157_ISMIR_2012.pdf
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Thornburg, H., & Gouyon F. (2000).  A Flexible Analysis/Synthesis Method for Transients. Abstract
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Sordo, M., Gouyon F., & Sarmento L. (2010).  A Method for Obtaining Semantic Facets of Music Tags. 1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
application/pdf iconwomrad2010_submission_18.pdf
Sordo, M., Gouyon F., Sarmento L., Celma Ò., & Serra X. (2013).  Inferring Semantic Facets of a Music Folksonomy with Wikipedia. Journal of New Music Research. 42(4), 346-363. Abstract
Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Sandvold, V., Gouyon F., & Herrera P. (2004).  Percussion Classification in polyphonic audio recordings using localized sound models. 5th International Conference on Music Information Retrieval (ISMIR'04). Abstract
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Marques, G., Langlois T., Gouyon F., Lopes M., & Sordo M. (2011).  Short-term feature space and Music Genre Classification. Journal of New Music Research. 40(2), 127-137. Abstract
Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F. (2010).  Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre. 7th Sound and Music Computing Conference, 2010, Barcelona, Spain. Abstract
application/pdf icon20.pdf
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Janer, J., Haro M., Roma G., Fujishima T., & Kojima N. (2009).  Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept. (Gouyon, F., Barbosa, A., Xavier Serra, Ed.).Sound and Music Computing Conference. 297-302. Abstract
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Holzapfel, A., Davies M. E. P., Zapata J. R., Oliveira J., & Gouyon F. (2012).  Selective sampling for beat tracking evaluation. IEEE Transactions on Audio Speech and Language Processing. Abstract
application/pdf iconHolzapfelEtAl12-taslp.pdf
Holzapfel, A., Davies M. E. P., Zapata J. R., Oliveira J., & Gouyon F. (2012).  On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
application/pdf iconHolzapfel-icassp.pdf
Herrera, P., & Gouyon F. (2013).  MIRrors: Music Information Research reflects on its future. Journal of Intelligent Information Systems. 41(3), 339-343.
Herrera, P., Yeterian A., & Gouyon F. (2002).  Automatic classification of drum sounds a comparison of feature selection methods and classification techniques. International Conference on Music and Artificial Intelligence (ICMAI). Abstract
Herrera, P., Sandvold V., & Gouyon F. (2004).  Percussion-related Semantic Descriptors of Music Audio Files. AES 25th International Conference. Abstract
Herrera, P., Celma Ò., Massaguer J., Cano P., Gómez E., Gouyon F., et al. (2005).  Mucosa a music content semantic annotator. 6th International Conference on Music Information Retrieval (2005). Abstract
Herrera, P., Dehamel A., & Gouyon F. (2003).  Automatic Labeling of Unpitched Percussion Sounds. AES 114th Convention. Abstract
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Gouyon, F., Herrera P., & Cano P. (2002).  Pulse-dependent analyses of percussive music. Abstract
Gouyon, F., Wack N., & Dixon S. (2004).  An open source tool for semi-automatic rhythmic annotation. Abstract
Gouyon, F. (2003).  Towards Automatic Rhythm Description of Musical Audio Signals. Representations, Computational Models and Applications. Abstract
Gouyon, F., Pachet F., & Delerue O. (2000).  On the use of zero-crossing rate for an application of classification of percussive sounds. Abstract
Gouyon, F., Fabig L., & Bonada, J. (2003).  Rhythmic expressiveness transformations of audio recordings swing modifications. Abstract
Gouyon, F., & Dixon S. (2005).  Influence of input features in perceptual tempo induction. Abstract
Gouyon, F. (1998).  Extraction de hauteur perçue dans les enregistrements musicaux numeriques.
Gouyon, F., Klapuri A., Dixon S., Alonso M., Tzanetakis G., Uhle C., et al. (2006).  An experimental comparison of audio tempo induction algorithms. IEEE Transactions on Speech and Audio Processing. 14, Abstract
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