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Freesound 2: An Improved Platform for Sharing Audio Clips. International Society for Music Information Retrieval Conference (ISMIR 2011), Late-breaking Demo Session.(2011).
Assessing the tuning of sung Indian classical music. Int. Soc. for Music Information Retrieval Conf. (ISMIR). 263-268.(2011).
Computational approaches for the understanding of melody in Carnatic music. International Society for Music Information Retrieval Conference (ISMIR). 157-162.(2011).
A Multicultural Approach in Music Information Research. Int. Soc. for Music Information Retrieval Conf. (ISMIR). 151-156.(2011).
Predictability of music descriptor time series and its application to cover song detection. IEEE Transactions on Audio, Speech, and Language Processing. 20(2), 514-525.(2011).
Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421.(2011).
Unifying Low-level and High-level Music Similarity Measures. IEEE Transactions on Multimedia. 13(4), 687-701 .(2011).
Spectral Processing. ( , Ed.).DAFX Digital Audio Effects. 393-446.(2011).
A look into the past: Analysis of trends and topics in the Sound & Music Computing Conference. Sound and Music Computing Conference.(2010).
Indexing Music by Mood: Design and Integration of an Automatic Content-based Annotator. Multimedia Tools and Applications. 48(1), 161-184.(2010).
Automatic performer identiﬁcation in commercial monophonic Jazz performances. Pattern Recognition Letters. 31, 1514-1523.(2010).
Ecological acoustics perspective for content-based retrieval of environmental sounds. EURASIP Journal on Audio, Speech, and Music Processing. 2010,(2010).
The Discipline formerly known as MIR. International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR).(2009).
Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference.(2009).
Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept. ( , Ed.).Sound and Music Computing Conference. 297-302.(2009).
Detecting Solo Phrases in Music using Spectral and Pitch-related Descriptors. Journal of New Music Research. 38(4), 343 - 356.(2009).
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42.(2009).
Statistical analysis of chroma features in western music predicts human judgments of tonality. Journal of New Music Research. 37(4), 299-309.(2009).
Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval. Journal of Virtual Worlds Research. 2(3),(2009).
SMSPD, LIBSMS and a Real-Time SMS Instruments. International Conference on Digital Audio Effects.(2009).
Cross recurrence quantification for cover song identification. New Journal of Physics. 11, 093017.(2009).
What/when causal expectation modelling applied to audio signals. Connection Science. 21(2-3), 119 – 143.(2009).
Freesound Radio: supporting music creation by exploration of a sound database. Computational Creativity Support Workshop CHI09.(2009).
Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain. Physics of Life Reviews. 5(3), 151-168.(2008).
Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing. Physics of Life Reviews. 5(3), 169-182.(2008).