Biblio
Filters: Author is Serra, X. [Clear All Filters]
(2000). Analysis/synthesis comparison.
Organized Sound. 5, pp 173-189. Abstract
(1998). New Applications of the Sound Description Interchange Format.
International Computer Music Conference. Abstract
(2012). Extracting Semantic Information from an Online Carnatic Music Forum.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). 355-360. Abstract
(1987). PARSHL An Analysis/Synthesis Program for non- Harmonic Sounds Based on a Sinusoidal Representation.
International Computer Music Conference. 290-297. Abstract
(2012). Data Gathering for a Culture Specific Approach in MIR.
21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 867-868. Abstract
(2007). A Roadmap for Sound and Music Computing.
(, Ed.). Abstract
(1989). A System for Sound Analysis/Transformation/Synthesis based on a Deterministic plus Stochastic Decomposition.
Dept. of Music / CCRMA. Abstract
(1998). Spectral Modeling of Musical Sounds.
Fourth Meeting of the FWO Research Society on Foundations of Music Research. Abstract
(1990). Computer Models for Percussion Instruments.
Colloque International sur Les Modeles Physiques Dans l'Analyse, la Production et la Creation Sonore.
(1997). Musical Sound Modeling with Sinusoids plus Noise.
(, Ed.).Musical Signal Processing. 91-122. Abstract
(2007). The Origins of DAFx and its Future within the Sound and Music Computing Field.
International Conference on Digital Audio Effects. Abstract
(2009). Cross recurrence quantification for cover song identification.
New Journal of Physics. 11, 093017. Abstract
(1991). SANSY An Environment for the transformation of musical sounds.
Leonardo Music Journal. Fall, Abstract
(2007). Sound and Music Computing: Challenges and Strategies.
Journal of New Music Research. 36(3), 185-190. Abstract
(1997). Integrating Complementary Spectral Models in the Design of a Musical Synthesizer.
International Computer Music Conference. Abstract
(2004). Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra University.
International Computer Music Conference (ICMC). Abstract
(2002). The Musical Communication Chain and its Modeling.
(, Ed.).Mathematics and Music. 243-255. Abstract
(2009). Statistical analysis of chroma features in western music predicts human judgments of tonality.
Journal of New Music Research. 37(4), 299-309. Abstract
(1998). Sound Transformations Based on the SMS High Level Attributes.
International Conference on Digital Audio Effects. Abstract
(1990). Spectral Modeling Synthesis A Sound Analysis/Synthesis Based on a Deterministic plus Stochastic Decomposition.
Computer Music Journal. 14, 12-24.
(2008). Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract

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