Biblio

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A
Gouyon, F., Widmer G., & Serra X. (2005).  Acoustic Cues to Beat Induction A Machine Learning Perspective. 10th Rhythm Perception and Production Workshop. 24(2), 177-188. Abstract
B
Celma, Ò., Herrera P., & Serra X. (2006).  Bridging the Music Semantic Gap. Workshop on Mastering the Gap: From Information Extraction to Semantic Representation. 187, Abstract
Celma, Ò., Herrera P., & Serra X. (2006).  Bridging the Music Semantic Gap. 1st International conference on Semantics And digital Media Technology (SAMT). Abstract
C
Koduri, G. K., Serrà J., & Serra X. (2012).  Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms. International Society for Music Information Retrieval Conference (ISMIR 2012). 199-204. Abstract
Font, F., Roma G., Herrera P., & Serra X. (2012).  Characterization of the Freesound Online Community. Third International Workshop on Cognitive Information Processing. 279-284. Abstract
Serrà, J., Gómez E., Herrera P., & Serra X. (2008).  Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
Serra, X. (1990).  Computer Models for Percussion Instruments. Colloque International sur Les Modeles Physiques Dans l'Analyse, la Production et la Creation Sonore.
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160.
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