Biblio
Filters: Author is Serra, X. [Clear All Filters]
(2005). Acoustic Cues to Beat Induction A Machine Learning Perspective.
10th Rhythm Perception and Production Workshop. 24(2), 177-188. Abstract
(2006). Acoustic Cues to Beat Induction. A Machine Learning Perspective.
Music Percepcion. UCPress. 24, 177-188. Abstract
(2012). Analysis of the Folksonomy of Freesound.
2nd CompMusic Workshop. 48-54. Abstract
(2000). Analysis/synthesis comparison.
Organized Sound. 5, pp 173-189. Abstract
(2012). An Approach for Linking Score and Audio Recordings in Makam Music of Turkey.
2nd CompMusic Workshop. Abstract
(2011). Assessing the tuning of sung Indian classical music.
Int. Soc. for Music Information Retrieval Conf. (ISMIR). 263-268. Abstract
(1999). Audio Descriptors and Descriptor Schemes in the Context of MPEG-7.
International Computer Music Conference. Abstract
(2006). Automatic characterization of ornamentation from bassoon recordings for expressive synthesis.
9th International Conference on Music Perception and Cognition. Abstract
(2010). Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31, 1514-1523.
(2006). Bridging the Music Semantic Gap.
Workshop on Mastering the Gap: From Information Extraction to Semantic Representation. 187, Abstract
(2006). Bridging the Music Semantic Gap.
1st International conference on Semantics And digital Media Technology (SAMT). Abstract
(2012). Characterization and exploitation of community structure in cover song networks.
Pattern Recognition Letters. 33(1), 1032–1041. Abstract
(2012). Characterization of Embellishments in Ney Performances of Makam Music in Turkey.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). 13-18. Abstract
(2012). Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms.
International Society for Music Information Retrieval Conference (ISMIR 2012). 199-204. Abstract
(2012). Characterization of the Freesound Online Community.
Third International Workshop on Cognitive Information Processing. 279-284. Abstract
(2008). Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
(2011). Computational approaches for the understanding of melody in Carnatic music.
International Society for Music Information Retrieval Conference (ISMIR). 157-162. Abstract
(2008). Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2008). Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing.
Physics of Life Reviews. 5(3), 169-182. Abstract
(1984). A Computer Model for Bar Percussion Instruments.
International Computer Music Conference. Abstract
(1990). Computer Models for Percussion Instruments.
Colloque International sur Les Modeles Physiques Dans l'Analyse, la Production et la Creation Sonore.
(2008). Content Processing of Music Audio Signals.
(, Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160.
(2005). Content-based Music Audio Recommendation.
ACM Multimedia. Abstract
(2009). Cross recurrence quantification for cover song identification.
New Journal of Physics. 11, 093017. Abstract

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