Biblio
Filters: Author is Purwins, P. [Clear All Filters]
Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(1999).
Unsupervised Generation of Percussion Sound Sequences from a Sound Example.
Sound and Music Computing Conference. Abstract
(2010).
Unsupervised Incremental Learning and Prediction of Audio Signals.
International Symposium on Music Acoustics. Abstract
(2010).
An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278. Abstract
(2010).
What/when causal expectation modelling in monophonic pitched and percussive audio.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2007).
Automatic phrase continuation from guitar and bass guitar melodies.
Computer Music Journal. 37, 68–81.
(2013).
Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2000).
Model cortical responses for the detection of perceptual onsets and beat tracking in singing.
Connection Science. 21(2-3), 193-205. Abstract
(2009).
Sparse Approximations for Drum Sound Classification.
IEEE Journal of Selected Topics in Signal Processing. 5(5), 933 - 940. Abstract
(2011).
Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(2007).
Trends and Perspectives in Music Cognition Research and Technology.
Connection Science. 21(2-3), 85-88. Abstract
(2009).
What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2009).
The Development of Melodic Representations at Early Age: Towards a Computational Model..
Music, Language and the Mind 2008. Abstract
(2008).
Playing with {SID}.
Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" . Abstract
(2009).
(2008).
Hybrid sparse models of water stream texture sounds.
Audio-graphic Sound Synthesis Workshop at the 14th International Conference on Digital Audio Effects (DAFx).
(2011).