Filters: Author is Purwins, P. [Clear All Filters]
Correspondence analysis for visualizing interplay of pitch class, key, and composer. ( , Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454.(2004).
Unendlichkeit - Konstruktion akustischer Paradoxien. ( , Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.(2005).
A Lyrics-Matching QBH System for Interactive Environments. Sound and Music Computing Conference.(2010).
Attention as musical interplay of bottom-up accents and expectation. GOSPEL Workshop.(2007).
Automated Harmonic Music Analysis. International Neuroscience Summit.(2002).
Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition.(2007).
Closing the loop of sound evaluation and design. Perceptual Quality of Systems.(2006).
Computational Modeling of Statistical Learning of Tone Sequences (Poster). International Conference on Cognitive and Neural Systems (ICCNS 2007).(2007).
Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.(2001).
Dynamical Hierarchical Self-Organization of Harmonic, Motivic, and Pitch Categories . Music, Brain and Cognition. Part 2: Models of Sound and Cognition, held at NIPS).(2007).
Expectation Along The Beat A Use Case For Music Expectation Models. International Computer Music Conference.(2007).
Modeling the Acquisition of Statistical Regularities in Tone Sequences. 30th Annual Meeting of the Cognitive Science Society.(2008).
A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275.(2000).
Perceptual Representations for Classification of Everyday Sounds. Audio Mostly .(2007).
Polynomial Extrapolation for Prediction of Surprise Based on Loudness - A Preliminary Study . Sound and Music Computing Conference.(2009).
The Role of Loudness in Detection of Surprising Events in Music Recordings. 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009.(2009).
Scale Degree Profiles from Audio Investigated with Machine Learning. Audio Engineering Society Convention.(2004).
Sound Texture Synthesis with Hidden Markov Tree Models in the Wavelet Domain. Sound and Music Computing Conference.(2010).
Sparse Coding for Drum Sound Classification and its Use as a Similarity Measure. 3rd International Workshop on Machine Learning and Music (MML’10) at ACM Multimedia 2010 .(2010).
Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. International Computer Music Conference. 274-276.(2001).