Biblio
Filters: Author is Marxer, R. [Clear All Filters]
Evaluation and Combination of Pitch Estimation Methods for Melody Extraction in Symphonic Classical Music.
Journal of New Music Research . 45(2), 101-117.
(2016).
Content-based Music Audio Recommendation.
ACM Multimedia. Abstract
(2005).
Attention as musical interplay of bottom-up accents and expectation.
GOSPEL Workshop. Abstract
(2007).
What/when causal expectation modelling applied to percussive audio.
The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800. Abstract
(2009).
What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2009).
What/when causal expectation modelling in monophonic pitched and percussive audio.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2007).
Computational Modeling of Statistical Learning of Tone Sequences (Poster).
International Conference on Cognitive and Neural Systems (ICCNS 2007). Abstract
(2007).
Separation of Unvoiced Fricatives in Singing Voice Mixtures with Semi-Supervised NMF.
International Conference on Digital Audio Effects Conference (DAFx-13). Abstract
(2013).
Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation.
International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.
(2012).
Study of regularizations and constraints in NMF-based drums monaural separation.
International Conference on Digital Audio Effects Conference (DAFx-13). Abstract
(2013).
Unsupervised Incremental Learning and Prediction of Audio Signals.
International Symposium on Music Acoustics. Abstract
(2010).
Audio Source Separation for Music in Low-latency and High-latency Scenarios.
Department of Information and Communication Technologies. Abstract
(2013).
Low-latency Bass Separation using Harmonic-Percussion Decomposition.
International Conference on Digital Audio Effects Conference (DAFx-13). Abstract
(2013).
(2008).
Dynamical Hierarchical Self-Organization of Harmonic, Motivic, and Pitch Categories .
Music, Brain and Cognition. Part 2: Models of Sound and Cognition, held at NIPS). Abstract
(2007).
Modelling and Separation of Singing Voice Breathiness in Polyphonic Mixtures.
International Conference on Digital Audio Effects Conference (DAFx-13). Abstract
(2013).
(2008).
A Tikhonov Regularization Method For Spectrum Decomposition In Low Latency Audio Source Separation.
International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 277-280.
(2012).
Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2008).
Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing.
Physics of Life Reviews. 5(3), 169-182. Abstract
(2008).
Music type groupers (MTG): generic music classification algorithms.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2009).
Music classification using high-level models.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2010).