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Semantic Modelling for User Interaction with Sonic Content. 22nd Portuguese Conference on Pattern Recognition (RECPAD). 91-92.(2016).
Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music. 4th International Workshop on Musical Metacreation (MUME 2016).(2016).
Drumming with style: From user needs to a working prototype. 16th International Conference on New Interfaces for Musical Expression.(2016).
An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. 16th International Conference on New Interfaces for Musical Expression (NIME 2016).(2016).
Cross-collection evaluation for music classification tasks. 17th International Society for Music Information Retrieval Conference (ISMIR 2016).(2016).
Introduction to Intelligent Music Systems and Applications. ACM Transactions on Intelligent Systems and Applications. 8(2), 17:1-17:8.(2016).
A User- Centred Evaluation Framework for Rhythmic Concatenative Synthesis. 17th International Society for Music Information Retrieval Conference (ISMIR 2016).(2016).
Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms. Sound and Music Computing Conference 2015.(2015).
Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections. 16th International Society for Music Information Retrieval (ISMIR) Conference. 364-370.(2015).
PAD and SAD: Two awareness-weighted rhythmic similarity distances. 16th International Society for Music Information Retrieval (ISMIR) Conference.(2015).
Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception. 11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015.(2015).
Life Soundtracking: promises and challenges of automated systems aimed to recovering meaningful music for Alzheimer's patients. International Workshop on Quantitative and Qualitative Music Therapy Research. 19.(2015).
There are places I remember: Personalized automatic creation of music playlists for Alzheimer’s patients. The Neurosciences and Music V.(2014).
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?. 15th International Society for Music Information Retrieval Conference. 573-578.(2014).
ESSENTIA: an open source library for audio analysis. ACM SIGMM Records. 6(1),(2014).
ESSENTIA: an Open-Source Library for Sound and Music Analysis. ACM International Conference on Multimedia (MM'13). 855-858.(2013).
Recurrence Quantification Analysis Features for Environmental Sound Recognition. IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA). 1-4.(2013).
Automatic Description of Music for Analyzing Music Productions: A Study Case in Detecting Mellotron Sounds in Recordings. Art of Record Production Conference.(2013).
The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. NeuroImage. 81(1), 49-60.(2013).
Aural-based detection and assessment of real versus artiﬁcially synchronized string quartet performance. 3rd International Conference on Music & Emotion.(2013).
Computational Ethnomusicology: perspectives and challenges. Journal of New Music Research. 42(2), 111-112.(2013).
ESSENTIA: an Audio Analysis Library for Music Information Retrieval. International Society for Music Information Retrieval Conference (ISMIR'13). 493-498.(2013).
Semantic audio content-based music recommendation and visualization based on user preference examples. Information Processing & Management. 49(1), 13-33.(2013).