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Indexing Music by Mood: Design and Integration of an Automatic Content-based Annotator. Multimedia Tools and Applications. 48(1), 161-184.(2010).
Automatic performer identiﬁcation in commercial monophonic Jazz performances. Pattern Recognition Letters. 31, 1514-1523.(2010).
Ecological acoustics perspective for content-based retrieval of environmental sounds. EURASIP Journal on Audio, Speech, and Music Processing. 2010,(2010).
The Discipline formerly known as MIR. International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR).(2009).
Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference.(2009).
Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept. ( , Ed.).Sound and Music Computing Conference. 297-302.(2009).
Detecting Solo Phrases in Music using Spectral and Pitch-related Descriptors. Journal of New Music Research. 38(4), 343 - 356.(2009).
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42.(2009).
Statistical analysis of chroma features in western music predicts human judgments of tonality. Journal of New Music Research. 37(4), 299-309.(2009).
Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval. Journal of Virtual Worlds Research. 2(3),(2009).
SMSPD, LIBSMS and a Real-Time SMS Instruments. International Conference on Digital Audio Effects.(2009).
Cross recurrence quantification for cover song identification. New Journal of Physics. 11, 093017.(2009).
What/when causal expectation modelling applied to audio signals. Connection Science. 21(2-3), 119 – 143.(2009).
Freesound Radio: supporting music creation by exploration of a sound database. Computational Creativity Support Workshop CHI09.(2009).
Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain. Physics of Life Reviews. 5(3), 151-168.(2008).
Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing. Physics of Life Reviews. 5(3), 169-182.(2008).
Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151.(2008).
De la Cultura Musical a la Cultura del So en la Societat Tecnològica. 2n Congrés Internacional de Música a Catalunya.(2008).
Content Processing of Music Audio Signals. ( , Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160.(2008).
A Genetic Rule-based Expressive Performance Model for Jazz Saxophone. Computer Music Journal. 32, 38-50.(2008).
The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects.(2007).
Sound and Music Computing: Challenges and Strategies. Journal of New Music Research. 36(3), 185-190.(2007).
State of the Art and Future Directions in Musical Sound Synthesis. International Workshop on Multimedia Signal Processing.(2007).
Synthesis of the Singing Voice by Performance Sampling and Spectral Models. IEEE Signal Processing Magazine. 24, 67-79.(2007).
Performance-based Interpreter Identification in Saxophone Audio Recordings. IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364.(2007).