Biblio

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2008
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160.
Ramírez, R., Hazan A., Maestre E., & Serra X. (2008).  A Genetic Rule-based Expressive Performance Model for Jazz Saxophone. Computer Music Journal. 32, 38-50. Abstract
2007
Serra, X. (2007).  The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects. Abstract
Serra, X., Bresin R., & Camurri A. (2007).  Sound and Music Computing: Challenges and Strategies. Journal of New Music Research. 36(3), 185-190. Abstract
Serra, X. (2007).  State of the Art and Future Directions in Musical Sound Synthesis. International Workshop on Multimedia Signal Processing. Abstract
Bonada, J., & Serra X. (2007).  Synthesis of the Singing Voice by Performance Sampling and Spectral Models. IEEE Signal Processing Magazine. 24, 67-79. Abstract
application/pdf iconIEEESP-SingingVoiceSynthesis_FINAL.pdf
Ramírez, R., Maestre E., Pertusa A., Gómez E., & Serra X. (2007).  Performance-based Interpreter Identification in Saxophone Audio Recordings. IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
Serra, X., Widmer G., & Leman M. (2007).  A Roadmap for Sound and Music Computing. (The S2S Consortium, Ed.). Abstract
2006
Celma, Ò., Herrera P., & Serra X. (2006).  Bridging the Music Semantic Gap. Workshop on Mastering the Gap: From Information Extraction to Semantic Representation. 187, Abstract
Celma, Ò., Herrera P., & Serra X. (2006).  Bridging the Music Semantic Gap. 1st International conference on Semantics And digital Media Technology (SAMT). Abstract
Gouyon, F., Widmer G., Serra X., & Flexer A. (2006).  Acoustic Cues to Beat Induction. A Machine Learning Perspective. Music Percepcion. UCPress. 24, 177-188. Abstract
Puiggròs, M., Gómez E., Ramírez R., Serra X., & Bresin R. (2006).  Automatic characterization of ornamentation from bassoon recordings for expressive synthesis. 9th International Conference on Music Perception and Cognition. Abstract
Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006).  ISMIR 2004 Audio Description Contest. Abstract
Ramírez, R., Hazan A., Maestre E., & Serra X. (2006).  A Machine Learning Approach to Expressive Performance in Jazz Standards. (Petrushin, V. A., Khan, L., Ed.).Multimedia Data Mining and Knowledge Discovery. Abstract
2005
Herrera, P., Bello J., Widmer G., Sandler M., Celma Ò., Vignoli F., et al. (2005).  SIMAC Semantic interaction with music audio contents. 2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Masip J., Celma Ò., et al. (2005).  An Industrial-Strength Content-based Music Recommendation System. 28th Annual International ACM SIGIR Conference. Abstract
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Aussenac T., Marxer R., et al. (2005).  Content-based Music Audio Recommendation. ACM Multimedia. Abstract
Serra, X. (2005).  Towards A Roadmap for The Research in Music Technology. International Computer Music Conference. Abstract
Gouyon, F., Widmer G., & Serra X. (2005).  Acoustic Cues to Beat Induction A Machine Learning Perspective. 10th Rhythm Perception and Production Workshop. 24(2), 177-188. Abstract
Ramírez, R., Hazan A., Gómez E., Maestre E., & Serra X. (2005).  Discovering Expressive Transformation Rules from Saxophone Jazz Performances. Journal of New Music Research. 34, 319-330. Abstract
2004
Serra, X. (2004).  Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra University. International Computer Music Conference (ICMC). Abstract
2002
Serra, X. (2002).  The Musical Communication Chain and its Modeling. (Assayag, G., Fechtinger, H. G., Rodrigues, J. F., Ed.).Mathematics and Music. 243-255. Abstract
Amatriain, X., Bonada J., Loscos A., & Serra X. (2002).  Spectral Processing. (Udo Zölzer, Ed.).DAFX - Digital Audio Effects. 373-438.
2001
Bonada, J., Loscos A., Cano P., & Serra X. (2001).  Spectral Approach to the Modeling of the Singing Voice. 111th AES Convention. Abstract
Amatriain, X., Bonada J., Loscos A., & Serra X. (2001).  Spectral Modeling for Higher-level Sound Transformation. MOSART Workshop on Current Research Directions in Computer Music. Abstract
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