Biblio

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Nápoles López, N. (2017).  Automatic harmonic analysis of classical string quartets from symbolic score. Abstract
Eremenko, V. (2018).  Automatic Harmony Analysis of Jazz Audio Recordings. Abstract
Van Balen, J., Haro G. G., & Serrà J. (2012).  Automatic Identification of Samples in Hip Hop Music. 9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
Herrera, P., Dehamel A., & Gouyon F. (2003).  Automatic Labeling of Unpitched Percussion Sounds. AES 114th Convention. Abstract
Dzhambazov, G., Şentürk S., & Serra X. (2014).  Automatic lyrics-to-audio alignment in classical Turkish music. 4th International Workshop on Folk Music Analysis. 61-64. Abstract
Demirel, E., Bozkurt B., & Serra X. (2018).  Automatic makam recognition using chroma features. International Workshop on Folk Music Analysis. Abstract
Bosch, J. (2013).  Automatic Melodic and Structural Analysis of Music Material for Enriched Concert Related Experiences. ACM Multimedia. 1067--1070.
Gómez, E., & Bonada J. (2008).  Automatic Melodic Transcription of Flamenco Singing. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Won, M., Chun S., Nieto O., & Serra X. (2019).  Automatic music tagging with Harmonic CNN. International Society for Music Information Retrieval (ISMIR). Abstract
Fuhrmann, F. (2012).  Automatic musical instrument recognition from polyphonic music audio signals. Abstract
Slizovskaia, O., Gómez E., & Haro G. G. (2016).  Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies. 13th Sound and Music Computing Conference (SMC 2016). Abstract
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Ramirez, R., Maestre E., Pérez A., & Serra X. (2011).  Automatic Performer Identification in Celtic Violin Audio Recordings. Journal of New Music Research. 40(2), 165-174. Abstract
Ramirez, R., Maestre E., & Serra X. (2010).  Automatic performer identification in commercial monophonic Jazz performances. Pattern Recognition Letters. 31(12), 1514-1523.
Cherla, S., Purwins H., & Marchini M. (2013).  Automatic phrase continuation from guitar and bass guitar melodies. Computer Music Journal. 37, 68–81.
Cherla, S. (2011).  Automatic Phrase Continuation from Guitar and Bass-guitar Melodies. Abstract
Cuesta, H., & Gómez E. (2017).  Automatic Pitch Estimation in Choir Singing Recordings using Deep Learning Strategies.
Ferraro, A., Bogdanov D., Yoon J., Kim K. S., & Serra X. (2018).  Automatic playlist continuation using a hybrid recommender system combining features from text and audio. Workshop on the RecSys Challenge 2018. Abstract
Van Balen, J. (2011).  Automatic Recognition of Samples in Musical Audio. Abstract
application/pdf iconVan-Balen-Jan-Master-thesis-2011.pdf
Molina, E. (2012).  Automatic scoring of singing voice based on melodic similarity measures. Abstract
application/pdf iconEmilio-Molina-Master-Thesis-2012.pdf
Batlle, E., & Cano P. (2000).  Automatic Segmentation for Music Classification using Competitive Hidden Markov Models. Abstract
Sá Pinto, A. (2015).  Automatic Semantic Characterization of Drum Sounds. Abstract
Kroher, N., & Gómez E. (2014).  Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors. International Computer Music Conference/Sound and Music Computing Conference.
application/pdf iconCameraReady_SingerID.pdf
Batlle, E., Masip J., & Guaus E. (2002).  Automatic Song Identification in Noisy Broadcast Audio. (N. Younan, Ed.).Signal and Image Processing. Abstract
Cano, P., & Koppenberger M. (2004).  Automatic sound annotation. Abstract
Bonada, J. (2000).  Automatic Technique in Frequency Domain for Near-Lossless Time-Scale Modification of Audio. International Computer Music Conference. 396-399. Abstract
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