Biblio
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Automatic Identification of Samples in Hip Hop Music.
9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
(2012).
Automatic Labeling of Unpitched Percussion Sounds.
AES 114th Convention. Abstract
(2003).
Automatic lyrics-to-audio alignment in classical Turkish music.
4th International Workshop on Folk Music Analysis. 61-64. Abstract
(2014).
Automatic makam recognition using chroma features.
International Workshop on Folk Music Analysis. Abstract
(2018).
Automatic Melodic and Structural Analysis of Music Material for Enriched Concert Related Experiences.
ACM Multimedia. 1067--1070.
(2013).
Automatic Melodic Transcription of Flamenco Singing.
Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
(2008).
Automatic music tagging with Harmonic CNN.
International Society for Music Information Retrieval (ISMIR). Abstract
(2019).
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies.
13th Sound and Music Computing Conference (SMC 2016). Abstract
(2016).
Automatic Performer Identification in Celtic Violin Audio Recordings.
Journal of New Music Research. 40(2), 165-174. Abstract
(2011).
Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31(12), 1514-1523.
(2010).
Automatic phrase continuation from guitar and bass guitar melodies.
Computer Music Journal. 37, 68–81.
(2013).
Automatic playlist continuation using a hybrid recommender system combining features from text and audio.
Workshop on the RecSys Challenge 2018. Abstract
(2018).
(2011).
(2012).
(2000).
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors.
International Computer Music Conference/Sound and Music Computing Conference.
(2014).
Automatic Song Identification in Noisy Broadcast Audio.
( , Ed.).Signal and Image Processing. Abstract
(2002).
(2004).
Automatic Technique in Frequency Domain for Near-Lossless Time-Scale Modification of Audio.
International Computer Music Conference. 396-399. Abstract
(2000).