Biblio

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Zapata, J., & Gómez E. (2011).  Combination of Audio Tempo Estimation Approaches (MIREX 2011 Submission). 6th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
application/pdf iconZG1_CombinationTempo_MIREX2011.pdf
application/pdf iconMIREX11 Justin Salamon Jose Zapata RESULTS.pdf
Janer, J., Marxer R., & Arimoto K. (2012).  Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation. International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.
application/pdf iconIcassp_Janer_reviewed.pdf
Hansen, K., Alonso M., & Dimitrov S. (2007).  Combining DJ Scratching, Tangible Interfaces And A Physics-Based Model Of Friction Sounds. Abstract
Pérez, A., Bonada J., Maestre E., Guaus E., & Blaauw M. (2007).  Combining Performance Actions with Spectral Models for Violin Sound Transformation. International Congress on Acoustics. Abstract
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2012).  Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail. 4th International Workshop on Advances in Music Information Research.
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (In Press).  Combining Usage and Content in an Online Recommendation System for Music in the Long-Tail. International Journal of Multimedia Information Retrieval. 1(Hybrid Music Information Retrieval),  Abstract
Roma, G., & Herrera P. (2010).  Community structure in audio clip sharing. International Conference on INTELLIGENT NETWORKING AND COLLABORATIVE SYSTEMS (INCoS 2010). Abstract
application/pdf iconPID1497503.pdf
Puiggròs, M. (2007).  Comparative analysis of expressivity in recorded violin performances. Study of the Sonatas and Partitas for solo violin by J. S. Bach. Abstract
Gómez, E., & Herrera P. (2008).  Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction. Empirical Musicology Review. 3(3), 140-156. Abstract
Gómez, E., & Herrera P. (2008).  Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining. 4th Conference on Interdisciplinary Musicology (CIM08).
Zapata, J., & Gómez E. (2011).  Comparative evaluation and combination of audio tempo estimation approaches. (Audio Engineering Society, Ed.).AES 42nd Conference on Semantic Audio. Abstract
application/pdf iconAudio_tempo_comparison_Zapata_Gomez.pdf
application/pdf iconPoster_AES_42_Tempo_comparison_2011.pdf
Cabrera, J. J., Díaz-Bañez J. M., Escobar-Borrego F. J., Gómez E., & Mora J. (2008).  Comparative Melodic Analysis of A Cappella Flamenco Cantes. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Wack, N., Cano P., De Jong, B, & Marxer R. (2006).  A Comparative Study of Dimensionality Reduction Methods: The Case of Music Similarity. Abstract
application/pdf iconNWack_2006.pdf
Rocamora, M., & Herrera P. (2007).  Comparing audio descriptors for singing voice detection in music audio files. 11º Simpósio Brasileiro de Computação Musical (SBCM07). Abstract
Musevic, S., & Bonada J. (2010).  Comparison of non-stationary sinusoid estimation methods using reassignment and derivatives. Sound and Music Computing Conference. Abstract
Bosch, J., Janer J., Fuhrmann F., & Herrera P. (2012).  A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 559-564. Abstract
application/pdf iconBosch-ISMIR2012.pdf
Buldú, J. M., Cano P., Koppenberger M., Almendral J., & Boccaletti S. (2007).  The complex network of musical tastes. New Journal of Physics. 9, Abstract
Zanin, M., Cano P., Buldú J. M., & Celma Ò. (2008).  Complex networks in recommendation systems. Proceedings of the 2nd WSEAS International Conference on Computer Engineering and Applications. Abstract
Barroso, E., & Pérez A. (2007).  Composition through Spectral Modeling Synthesis and Pure Data. Abstract
Herrera, P., & Loureiro R. (1996).  Comprensión de escenarios sonoros.
Papiotis, P., Marchini M., & Maestre E. (2012).  Computational analysis of solo versus ensemble performance in string quartets: Dynamics and Intonation. 12th International Conference on Music Perception and Cognition. Abstract
application/pdf iconICMPC2012-Papiotis.pdf
Laurier, C., & Herrera P. (2007).  A computational approach to classify music by emotion. European Computing Conference. Abstract
Gouyon, F. (2005).  A computational approach to rhythm description --- Audio features for the computation of rhythm periodicity functions and their use in tempo induction and music content processing. Department of Information and Communication Technologies. Abstract
Koduri, G. K., Miron M., Serrà J., & Serra X. (2011).  Computational approaches for the understanding of melody in Carnatic music. International Society for Music Information Retrieval Conference (ISMIR). 157-162. Abstract
application/pdf iconKoduri-et-al-ISMIR-2011.pdf
Hazan, A. (2006).  Computational Modeling of Expressive Music Performance New Machine Learning Approaches for Dealing With Real-World Data. Abstract
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