Biblio

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Report
López-Gómez, C. (2013).  Criterios para la transcripción manual de la colección de tonás.
application/pdf iconCriteriosTranscripcionTONAS.pdf
PhD Thesis
Gouyon, F. (2005).  A computational approach to rhythm description --- Audio features for the computation of rhythm periodicity functions and their use in tempo induction and music content processing. Department of Information and Communication Technologies. Abstract
Barbosa, A. (2006).  Computer-Supported Cooperative Work for Music Applications. Abstract
Cano, P. (2007).  Content-Based Audio Search from Fingerprinting to Semantic Audio Retrieval. Abstract
Miscellaneous
Amatriain, X., Massaguer J., Garcia D., & Mosquera I. (2005).  The CLAM Annotator A Cross-platform Audio Descriptors Editing Tool. Abstract
Blaauw, M. (2003).  The CLAM Framework - An Overview and Considerations for Potential Users. Abstract
Wack, N., Cano P., De Jong, B, & Marxer R. (2006).  A Comparative Study of Dimensionality Reduction Methods: The Case of Music Similarity. Abstract
application/pdf iconNWack_2006.pdf
Herrera, P., & Loureiro R. (1996).  Comprensión de escenarios sonoros.
Blankertz, B., Purwins H., & Obermayer K. (1999).  Constant Q profiles and toroidal models of inter-key relations. CCRMA affiliates meeting.
Bogdanov, D., Haro M., Fuhrmann F., Xambó A., Gómez E., & Herrera P. (2011).  A Content-based System for Music Recommendation and Visualization of User Preferences Working on Semantic Notions. Abstract
application/pdf iconCBMI2011_poster.pdf
Serrà, J., & Gómez E. (2007).  A cover song identification system based on sequences of tonal descriptors. Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
Serrà, J., Zanin M., & Andrzejak R. G. (2009).  Cover song retrieval by cross recurrence quantification and unsupervised set detection. Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
Herrera, P. (1996).  Creativitat i Intel.ligència Artificial.
Master Thesis
Togias, S. (2012).  Characterization of Rhythm of Folk Music in the Mediterranean. Abstract
Salamon, J. (2008).  Chroma-based Predominant Melody and Bass Line Extraction from Music Audio Signals. Abstract
Arumí, P. (2002).  CLAM C++ Library for Audio and Music.
Ramírez, M. (2002).  CLAM Visualization Module Disseny d'un mòdul de visualització OO per a un entorn de processament d'àudio independent de plataforma. Abstract
Maestre, E. (2006).  Coding Instrumental Gestures. Towards a quantitative description of instrumental gestures in excitation-continuous musical instruments. Abstract
Puiggròs, M. (2007).  Comparative analysis of expressivity in recorded violin performances. Study of the Sonatas and Partitas for solo violin by J. S. Bach. Abstract
Hazan, A. (2006).  Computational Modeling of Expressive Music Performance New Machine Learning Approaches for Dealing With Real-World Data. Abstract
Şentürk, S. (2011).  Computational Modeling of Improvisation in Turkish Folk Music using Variable-length Markov Models. Abstract
application/pdf iconsenturk_sertan_201112_mast.pdf
Barbosa, A. (2002).  Computer-Supported Cooperative Work for Music Applications. Abstract
Vega, S. (2010).  Content-based Processing for Masking Minimization in Multi-track Recording. Abstract
Journal Article
Serrà, J., Zanin M., Herrera P., & Serra X. (2012).  Characterization and exploitation of community structure in cover song networks. Pattern Recognition Letters. 33(1), 1032–1041. Abstract
application/pdf icon1108.6003v2.pdf
Serrà, J., Gómez E., Herrera P., & Serra X. (2008).  Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
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