Biblio

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Z
Zanin, M., Buldú J. M., Cano P., & Boccaletti S. (2008).  Disorder and decision cost in spatial networks. Chaos: An Interdisciplinary Journal of Nonlinear Science. 18(2),  Abstract
W
Wüst, O. (2003).  Database-Driven Systems and Applications for Music Information Management. Abstract
V
Vinyes, M., Bonada J., & Loscos A. (2006).  Demixing Commercial Music Productions via Human-Assisted Time-Frequency Masking. Abstract
T
Tutzer, F. (2011).  Drum rhythm retrieval based on rhythm- and sound similarity. Abstract
application/pdf iconTutzer-Felix-Master-thesis-2011.pdf
S
Streich, S., & Herrera P. (2005).  Detrended Fluctuation Analysis of Music Signals Danceability Estimation and further Semantic Characterization. Abstract
Sola, J. (1997).  Disseny i implementació d`un sintetitzador de piano. Abstract
Serra, X. (2012).  Data Gathering for a Culture Specific Approach in MIR. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 867-868. Abstract
application/pdf iconAdMIRe-2012.pdf
Serra, X. (2008).  De la Cultura Musical a la Cultura del So en la Societat Tecnològica. 2n Congrés Internacional de Música a Catalunya. Abstract
San Agustín, A. (2008).  Design and implementation of new communication channels between public and an artistic performance. Abstract
Salselas, I., Hazan A., Herrera P., & Purwins H. (2008).  The Development of Melodic Representations at Early Age: Towards a Computational Model.. Music, Language and the Mind 2008. Abstract
Salselas, I., & Herrera P. (2010).  Development of Perception and Representation of Rhythmic Information: Towards a Computational Model. 2010 IEEE 9th International Conference on Development and Learning. Abstract
application/pdf iconDevelopment of Perception and Representation of Rhythmic Information.pdf
Salselas, I. (2007).  The Development of Melodic Representations at Early Age Facts Towards a Computational Model. Abstract
R
Román Echeverri, C. G. (2011).  Detection of genre-specific musical instruments: The case of the mellotron. Abstract
application/pdf iconRoman-Carlos-Master-thesis-2011.pdf
Ramírez, R., Hazan A., Gómez E., Maestre E., & Serra X. (2005).  Discovering Expressive Transformation Rules from Saxophone Jazz Performances. Journal of New Music Research. 34, 319-330. Abstract
M
Mora, A. (2003).  Desenvolupament d'un entorn per a l'anàlisi, transformaciò i síntesi de sons usant la llibreria CLAM.
Molina, P. (2010).  DJ Suport Agent Based on Audio Mosaicing: Enhancing DJ-Skills for People With or Without Them.. Abstract
Marxer, R., Holonowicz P., Purwins H., & Hazan A. (2007).  Dynamical Hierarchical Self-Organization of Harmonic, Motivic, and Pitch Categories . Music, Brain and Cognition. Part 2: Models of Sound and Cognition, held at NIPS). Abstract
Marxer, R., Holonowicz P., Hazan A., & Purwins H. (2008).  Dynamical Hierarchical Self-Organization Of Harmonic And Motivic Musical Categories. Acoustics. Abstract
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Kaltenbrunner, M., Geiger G., & Jordà S. (2004).  Dynamic Patches for Live Musical Performance. Abstract
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Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Abstract
Jordà, S., Hunter S., Pla P., Gallardo D., Leithinger D., Kaufman H., et al. (2010).  Development strategies for tangible interaction on horizontal surfaces. Tangible Embedded and Embodied Interaction. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part II: Diversity, Freedom and Control. International Computer Music Conference. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
H
Holonowicz, P., & Herrera P. (2010).  Detection of polyphonic music note onsets by application of the Bayesian Theory of Surprise. ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition. Abstract
Herrera, P. (1999).  Descriure els sons un marc conceptual per al desenvolupament d'aplicacions de processament del contingut sonor. Abstract
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