Biblio

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Marxer, R., Holonowicz P., Purwins H., & Hazan A. (2007).  Dynamical Hierarchical Self-Organization of Harmonic, Motivic, and Pitch Categories . Music, Brain and Cognition. Part 2: Models of Sound and Cognition, held at NIPS). Abstract
Marxer, R., Holonowicz P., Hazan A., & Purwins H. (2008).  Dynamical Hierarchical Self-Organization Of Harmonic And Motivic Musical Categories. Acoustics. Abstract
Kaltenbrunner, M., Geiger G., & Jordà S. (2004).  Dynamic Patches for Live Musical Performance. Abstract
Tutzer, F. (2011).  Drum rhythm retrieval based on rhythm- and sound similarity. Abstract
application/pdf iconTutzer-Felix-Master-thesis-2011.pdf
Molina, P. (2010).  DJ Suport Agent Based on Audio Mosaicing: Enhancing DJ-Skills for People With or Without Them.. Abstract
Guerra, E. (1998).  Disseny i implementació d`un sintetitzador de veu cantada. Abstract
Sola, J. (1997).  Disseny i implementació d`un sintetitzador de piano. Abstract
Barbosa, A. (2003).  Displaced SoundScapes A Survey of Network Systems for Music and Sonic Art Creation. Leonardo Music Journal. 13, Abstract
Zanin, M., Buldú J. M., Cano P., & Boccaletti S. (2008).  Disorder and decision cost in spatial networks. Chaos: An Interdisciplinary Journal of Nonlinear Science. 18(2),  Abstract
Ramírez, R., Hazan A., Gómez E., Maestre E., & Serra X. (2005).  Discovering Expressive Transformation Rules from Saxophone Jazz Performances. Journal of New Music Research. 34, 319-330. Abstract
Herrera, P., Serrà J., Laurier C., Guaus E., Gómez E., & Serra X. (2009).  The Discipline formerly known as MIR. International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part II: Diversity, Freedom and Control. International Computer Music Conference. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
Bucci, A. (2011).  Digital Equalization of the electric violin: Method for obtaining violin body impulse response based on machine bowing. Abstract
application/pdf iconBuccci-Andres-Master-thesis-2011.pdf
Jordà, S., Hunter S., Pla P., Gallardo D., Leithinger D., Kaufman H., et al. (2010).  Development strategies for tangible interaction on horizontal surfaces. Tangible Embedded and Embodied Interaction. Abstract
Salselas, I., & Herrera P. (2010).  Development of Perception and Representation of Rhythmic Information: Towards a Computational Model. 2010 IEEE 9th International Conference on Development and Learning. Abstract
application/pdf iconDevelopment of Perception and Representation of Rhythmic Information.pdf
Salselas, I., Hazan A., Herrera P., & Purwins H. (2008).  The Development of Melodic Representations at Early Age: Towards a Computational Model.. Music, Language and the Mind 2008. Abstract
Salselas, I. (2007).  The Development of Melodic Representations at Early Age Facts Towards a Computational Model. Abstract
Amatriain, X., & Arumí P. (2005).  Developing Cross-platform Audio and Music Applications with the CLAM Framework. Abstract
Dimitrov, S., Alonso M., & Serafin S. (2008).  Developing block-movement, physical-model based objects for the Reactable. NIME08. Abstract
Streich, S., & Herrera P. (2005).  Detrended Fluctuation Analysis of Music Signals Danceability Estimation and further Semantic Characterization. Abstract
Gouyon, F., & Herrera P. (2003).  Determination of the Meter of musical audio signals Seeking recurrences in beat segment descriptors. Abstract
Holonowicz, P., & Herrera P. (2010).  Detection of polyphonic music note onsets by application of the Bayesian Theory of Surprise. ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition. Abstract
Román Echeverri, C. G. (2011).  Detection of genre-specific musical instruments: The case of the mellotron. Abstract
application/pdf iconRoman-Carlos-Master-thesis-2011.pdf
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