Biblio
Filters: First Letter Of Title is E [Clear All Filters]
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2009).
Expressive Irish Fiddle Performance Model Informed with Bowing.
International Computer Music Conference. Abstract
(2008).
Expressive Performance in the Human Tenor Voice.
Sound and Music Computing Conference. Abstract
(2008).
(2016).
(2013).
Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning.
Department of Information and Communication Technologies. Abstract
(2006).
Extending Sound Sample Descriptions through the Extraction of Community Knowledge.
User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
(2011).
Extending Tagging Ontologies with Domain Specific Knowledge.
International Semantic Web Conference. 209-2012. Abstract
(2014).
(2011).
Extending the folksonomies of freesound.org using content-based audio analysis.
Sound and Music Computing Conference. Abstract
(2009).
Extending voice-driven synthesis to audio mosaicing.
5th Sound and Music Computing Conference . Abstract
(2008).
Extracting Relations from Unstructured Text Sources for Music Recommendation.
20th International Conference on Applications of Natural Language to Information Systems. Abstract
(2015).
Extracting Semantic Information from an Online Carnatic Music Forum.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). 355-360. Abstract
(2012).
(2000).
The EyeHarp: A Gaze-Controlled Digital Musical Instrument.
Frontiers in Psychology . 7,
(2016).
THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT.
8th Sound and Music Computing Conference.
(2011). - « first
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