Biblio

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E
Maestre, E., Ramirez R., Kersten S., & Serra X. (2009).  Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42. Abstract
Pérez, A., Maestre E., Ramirez R., & Kersten S. (2008).  Expressive Irish Fiddle Performance Model Informed with Bowing. International Computer Music Conference. Abstract
Neocleous, A. (2010).  Expressive Music Performance Modeling. Abstract
Marinescu, M., & Ramirez R. (2008).  Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference. Abstract
Alonso, M. (2005).  Expressive Performance Model for a Singing Voice Synthesizer. Abstract
Bonada, J., Umbert M., & Blaauw M. (2016).  Expressive Singing Synthesis Based on Unit Selection for the Singing Synthesis Challenge 2016. Interspeech. Abstract
application/pdf iconinterspeech-singing-challenge.pdf
Floría, H. (2013).  Expressive speech synthesis for a Radio DJ using Vocaloid and HMM's. Abstract
application/pdf iconHector-Floria-Master-Thesis-2013.pdf
Ortolà, J. (2000).  Expressivitat musical en un sintetitzador de veu cantada. Abstract
Grachten, M. (2006).  Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Department of Information and Communication Technologies. Abstract
Bosi, M. (2009).  Extending Physical Computing On The Reactable. Abstract
Font, F., & Serra X. (2011).  Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
Font, F., Oramas S., Fazekas G., & Serra X. (2014).  Extending Tagging Ontologies with Domain Specific Knowledge. International Semantic Web Conference. 209-2012. Abstract
application/pdf iconFull text
Katsaprakakis, A. (2011).  Extending the control of a musical tangible tabletop with mobile phones. Abstract
application/pdf iconKatsaprakakis-Alexandros-Master-thesis-2011.pdf
Martínez, E., Celma Ò., Sordo M., De Jong, B, & Serra X. (2009).  Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference. Abstract
Janer, J., & De Boer M. (2008).  Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference . Abstract
Garcia, D., Arumí P., & Amatriain X. (2006).  Extracció d'acords amb l'Anotador de Música de CLAM. Abstract
Sordo, M., Oramas S., & Espinosa-Anke L. (2015).  Extracting Relations from Unstructured Text Sources for Music Recommendation. 20th International Conference on Applications of Natural Language to Information Systems. Abstract
application/pdf iconnldb2015_msordo_soramas_lespinosa.pdf
Sordo, M., Serrà J., Koduri G. K., & Serra X. (2012).  Extracting Semantic Information from an Online Carnatic Music Forum. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 355-360. Abstract
Gouyon, F. (2000).  Extraction de descripteurs rythmiques dans des extraits de musiques populaires polyphoniques. Abstract
Gouyon, F. (1998).  Extraction de hauteur perçue dans les enregistrements musicaux numeriques.
Vamvakousis, Z., & Ramirez R. (2016).  The EyeHarp: A Gaze-Controlled Digital Musical Instrument. Frontiers in Psychology . 7,
Vamvakousis, Z. (2011).  The EyeHarp: A Gaze-Controlled Musical Instrument. Abstract
application/pdf iconVamvakousis-Zacharias-Master-thesis-2011.pdf
T
Vamvakousis, Z., & Ramirez R. (2011).  THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT. 8th Sound and Music Computing Conference.
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