Biblio

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A
Alonso, M. (2005).  Expressive Performance Model for a Singing Voice Synthesizer. Abstract
Amatriain, X. (2004).  El Programari Lliure a la Educació Guia per a la seva Justificació i Implementació. Abstract
B
Bosi, M. (2009).  Extending Physical Computing On The Reactable. Abstract
C
Camurri, A., Bevilacqua F., Bresin R., Maestre E., Penttinen H., Seppänen J., et al. (2009).  Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project. Gesture Workshop 2009..
Cano, P., & Koppenberger M. (2004).  The emergence of complex network patterns in music networks. Abstract
Catala, A., Jaen J., van Dijk B., & Jordà S. (2012).  Exploring tabletops as an effective tool to foster creativity traits. Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
Comajuncosas, J. M. (2010).  Expressive Breath Modeling. Abstract
F
Ferradans, S. (2004).  Estudio y desarrollos de un sistema de segmentación musical mediante voz cantada.
Font, F., & Serra X. (2011).  Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
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G
Garcia, D., Arumí P., & Amatriain X. (2006).  Extracció d'acords amb l'Anotador de Música de CLAM. Abstract
Gómez, V. (2002).  Estudi de diferents algorismes d'entrenament de xarxes neuronals de funció de base radial.
Gómez, E., & Herrera P. (2006).  Evaluation and applications of tonal profiles for automatic music tonality description. Abstract
Gómez, E., & Herrera P. (2004).  Estimating The Tonality Of Polyphonic Audio Files Cognitive Versus Machine Learning Modelling Strategies. Abstract
Gouyon, F. (2000).  Extraction de descripteurs rythmiques dans des extraits de musiques populaires polyphoniques. Abstract
Gouyon, F., Klapuri A., Dixon S., Alonso M., Tzanetakis G., Uhle C., et al. (2006).  An experimental comparison of audio tempo induction algorithms. IEEE Transactions on Speech and Audio Processing. 14, Abstract
Gouyon, F., & Herrera P. (2001).  Exploration of techniques for automatic labeling of audio drum tracks instruments. Abstract
Gouyon, F. (1998).  Extraction de hauteur perçue dans les enregistrements musicaux numeriques.
Gouyon, F., Dixon S., Pampalk E., & Widmer G. (2004).  Evaluating rhythmic descriptors for musical genre classification. Abstract
Grachten, M. (2006).  Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Abstract
H
Hazan, A., Grachten M., & Ramírez R. (2006).  Evolving performance models by performance similarity beyond note-to-note transformations. Abstract
Hazan, A., Brossier P., Holonowicz P., Herrera P., & Purwins H. (2007).  Expectation Along The Beat A Use Case For Music Expectation Models. International Computer Music Conference. Abstract
I
Ioannidis, L. (2010).  Estimating the Makam of Polyphonic Music Signals: Template-Matching vs. Class-Modeling. Abstract
J
Janer, J., & De Boer M. (2008).  Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference . Abstract
Jordà, S. (1996).  EPIZOO cruelty and gratuitousness in real virtuality.
K
Kaltenbrunner, M. (2002).  Evaluation of Auditory Interface Metaphors. Abstract
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