Biblio
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(1998). Fundamental Frequency Estimation in the SMS analysis.
International Conference on Digital Audio Effects (DAFX). Abstract
(2013). Fundamental frequency alignment vs note-based melodic similarity for singing voice assessment.
8th IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).
(2009). From Low-level to Song-level Percussion Descriptors of Polyphonic Music.
10th International Society for Music Information Retrieval Conference. Abstract
(2009). From Low-level to High-level: Comparative Study of Music Similarity Measures.
IEEE International Symposium on Multimedia. Workshop on Advances in Music Information Research (AdMIRe). Abstract
(2008). From hits to niches? or how popular artists can bias music recommendation and discovery.
2nd Workshop on Large-Scale Recommender Systems and the Netflix Prize Competition (ACM KDD). Abstract
(2009). Freesound Radio: supporting music creation by exploration of a sound database.
Computational Creativity Support Workshop CHI09. Abstract
(2011). Freesound 2: An Improved Platform for Sharing Audio Clips.
International Society for Music Information Retrieval Conference (ISMIR 2011), Late-breaking Demo Session. Abstract
(2009). A Framework for Performer Identification in Audio Recordings.
International Workshop on Machine Learning and Music - ECML-PKDD 09. Abstract
(2012). Folksonomy-based tag recommendation for online audio clip sharing.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). 73-78. Abstract
(2005). Foafing the music: A music recommendation system based on RSS feeds and user preferences.
6th International Conference on Music Information Retrieval (ISMIR). Abstract
(2006). Foafing the Music Bridging the semantic gap in music recommendation.
5th International Semantic Web Conference (ISWC). Abstract
(2008). An fMRI Study on Attentive Music Listening.
The Neurosciences and Music. Abstract
(2002). FMOL Toward User-Friendly, Sophisticated New Musical Instruments.
Computer Music Journal. 26, pp 23-39.
(1998). FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems.
International Conference on Digital Audio Effects (DAFX). Abstract
(2012). Fire Texture Sound Re-Synthesis Using Sparse Decomposition and Noise Modelling.
International Conference on Digital Audio Effects (DAFx12). Abstract
(1999). Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet.
Leonardo Music Journal. 9, 5-12. Abstract
(2012). Factors in human recognition of timbre lexicons generated by data clustering.
Sound and Music Computing Conference (SMC2012). Abstract
