Biblio
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Is an auditory P300-based Brain-Computer Musical Interface feasible?.
CMMR2015: International Workshop on BCMI.
(2015).
Investigating the relationship between expressivity and synchronization in ensemble performance: an exploratory study.
International Symposium on Performance Science, Vienna.
(2013).
Investigació i educació en tecnologia musical a Catalunya.
2n Congrés Internacional de Música a Catalunya. Abstract
(2008).
Introduction to Intelligent Music Systems and Applications.
ACM Transactions on Intelligent Systems and Applications. 8(2), 17:1-17:8.
(2016).
Intra-note Features Prediction Model for Jazz Saxophone Performance.
International Computer Music Conference. Abstract
(2005).
Intonation analysis of rāgas in Carnatic music.
Journal of New Music Research. 43(1), 72-93. Abstract
(2014).
Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment.
6th International Conference on Digital Libraries for Musicology. Abstract
(2019).
Internet. Cap a Noves Formes d'entendre la Creació Musical?.
Revista Musical Catalana. 1,
(1999).
(2003).
Interactivity and Live Computer Music.
( , Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
(2007).
Interactive surfaces and tangibles.
XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
(2010).
An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
(2016).
An Interactive Rhythm Training Tool for Usuls of Turkish Makam Music.
5th Int. Workshop on Folk Music Analysis (FMA). Abstract
(2015).
(2003).
(2011).
An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2016).