Biblio

Export 65 results:
Sort by: Author [ Title (Desc)] Type Year
Filters: First Letter Of Title is I  [Clear All Filters]
A B C D E F G H [I] J K L M N O P Q R S T U V W X Y Z   [Show ALL]
I
Martínez, E. (2008).  Issues on Retrieval of Sound Effects in Large Collaborative Databases.
Loscos, A. (2003).  Issues on Modeling the Singing Voice. Abstract
Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006).  ISMIR 2004 Audio Description Contest. Abstract
Vamvakousis, Z., & Ramirez R. (2015).  Is an auditory P300-based Brain-Computer Musical Interface feasible?. CMMR2015: International Workshop on BCMI.
application/pdf iconFull Paper
Marchini, M., Papiotis P., & Maestre E. (2013).  Investigating the relationship between expressivity and synchronization in ensemble performance: an exploratory study. International Symposium on Performance Science, Vienna.
Herrera, P. (2008).  Investigació i educació en tecnologia musical a Catalunya. 2n Congrés Internacional de Música a Catalunya. Abstract
Schedl, M., Yang Y., & Herrera P. (2016).  Introduction to Intelligent Music Systems and Applications. ACM Transactions on Intelligent Systems and Applications. 8(2), 17:1-17:8.
Ramirez, R., Hazan A., & Maestre E. (2005).  Intra-note Features Prediction Model for Jazz Saxophone Performance. International Computer Music Conference. Abstract
Koduri, G. K., Ishwar V., Serrà J., & Serra X. (2014).  Intonation analysis of rāgas in Carnatic music. Journal of New Music Research. 43(1), 72-93. Abstract
Weigl, D. M., Goebl W., Crawford T., Gkiokas A., Gutierrez N. F., Porter A., et al. (2019).  Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment. 6th International Conference on Digital Libraries for Musicology. Abstract
Geiger, G. (2002).  An Interpreted Language for Real Time Signal Processing. Abstract
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
Alonso, M., Geiger G., & Jordà S. (2004).  An Internet Browser Plug-in for Real-time Audio Synthesis. Abstract
Munday, J. (2017).  Interfaces for Improvising with a Jazz Melody Generation System. Abstract
Kuzma, L. (2008).  An Interface for Sequencing with Concatenative Sound Synthesis. Abstract
Barbosa, A., Kaltenbrunner M., & Geiger G. (2003).  Interface Decoupled Applications for Geographically Displaced Collaboration in Music. Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Eakin, R. T. (2009).  An Interactive System for Visualizing and Manipulating Spectral Data. Abstract
Jordà, S., Julià C. F., & Gallardo D. (2010).  Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
Nuanáin, C. Ó., Jordà S., & Herrera P. (2016).  An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. 16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
Uyar, B., & Bozkurt B. (2015).  An Interactive Rhythm Training Tool for Usuls of Turkish Makam Music. 5th Int. Workshop on Folk Music Analysis (FMA). Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Aldrey, L. (2011).  Interactive music system based on pitch quantization and tonal navigation.
application/pdf iconAldrey-Leonardo-Master-thesis-2011.pdf
Kaltenbrunner, M. (2005).  Interactive Music for Mobile Digital Music Players. Abstract
Vogl, R., Leimeister M., Nuanáin C. Ó., Jordà S., Hlatky M., & Knees P. (2016).  An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms. Journal of the Audio Engineering Society. 64(7/8), 503-513.
application/pdf icon18336.pdf
intranet