Biblio

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Martínez, E. (2008).  Issues on Retrieval of Sound Effects in Large Collaborative Databases.
Loscos, A. (2003).  Issues on Modeling the Singing Voice. Abstract
Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006).  ISMIR 2004 Audio Description Contest. Abstract
Herrera, P. (2008).  Investigació i educació en tecnologia musical a Catalunya. 2n Congrés Internacional de Música a Catalunya. Abstract
Ramírez, R., Hazan A., & Maestre E. (2005).  Intra-note Features Prediction Model for Jazz Saxophone Performance. International Computer Music Conference. Abstract
Geiger, G. (2002).  An Interpreted Language for Real Time Signal Processing. Abstract
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
Alonso, M., Geiger G., & Jordà S. (2004).  An Internet Browser Plug-in for Real-time Audio Synthesis. Abstract
Kuzma, L. (2008).  An Interface for Sequencing with Concatenative Sound Synthesis. Abstract
Barbosa, A., Kaltenbrunner M., & Geiger G. (2003).  Interface Decoupled Applications for Geographically Displaced Collaboration in Music. Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Eakin, R. T. (2009).  An Interactive System for Visualizing and Manipulating Spectral Data. Abstract
Jordà, S., Julià C. F., & Gallardo D. (2010).  Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Aldrey, L. (2011).  Interactive music system based on pitch quantization and tonal navigation.
application/pdf iconAldrey-Leonardo-Master-thesis-2011.pdf
Kaltenbrunner, M. (2005).  Interactive Music for Mobile Digital Music Players. Abstract
Gómez, E. (2011).  Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music. (Müller, M., Goto, M., Dixon, S., Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83. Abstract
Serra, X., Bonada J., Herrera P., & Loureiro R. (1997).  Integrating Complementary Spectral Models in the Design of a Musical Synthesizer. International Computer Music Conference. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Integrating background musical knowledge in a CBR system for generating expressive musical performances. AAAI'98 Workshop on CBR Integrations. Abstract
Jordà, S. (2005).  Instruments and Players Some thoughts on digital lutherie. Journal of New Music Research. 33, Abstract
Giotis, P. (2009).  Instrument Timbre Transformation using Gaussian Mixture Models. Abstract
Peeters, G., McAdams S., & Herrera P. (2000).  Instrument Description in the Context of MPEG-7. Abstract
Gouyon, F., & Dixon S. (2005).  Influence of input features in perceptual tempo induction. Abstract
Sordo, M., Gouyon F., Sarmento L., & Celma Ò. (Submitted).  Inferring Semantic Facets of a Music Folksonomy with Wikipedia. Journal of Web Semantics. Abstract
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Masip J., Celma Ò., et al. (2005).  An Industrial-Strength Content-based Music Recommendation System. 28th Annual International ACM SIGIR Conference. Abstract
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